Tag Archives: rape

Memoirs heal the moral injury of rape

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by Jerry Waxler, author of Memoir Revolution: Write Your Story, Change the World

Some memoirs take me so far into the darkness of human experience, I must struggle through my own moral despair in order to read. And yet despite my revulsion, I forge ahead. Why do I or any of us do this? The answer reveals one of the pillars of the modern memoir movement.

Memoir readers trust that in exchange for our willingness to accompany the author through hell, the story will also show positive forces that elevate our spirits. Such qualities as effort, wisdom, compassion, and spirituality carry us back to hope. After reading 100s of memoirs, I have never been disappointed. Every author has maintained his or her part in this implicit bargain.

Take one of the more horrific ones, for example — Lucky, by Alice Sebold. The cops called her “lucky” because her rapist didn’t kill her. Recently I read another memoir, if possible even more terrible than Sebold’s. Leona Stucky in her memoir Fog of Faith was raped, not by a stranger but by her boyfriend. Then, through a series of deadly threats against her and her family, he coerced her into marrying him. Even after she escaped, he continued to hunt her down.

As if the violence itself wasn’t bad enough, the normal avenues of justice and healing were cut off, adding to the author’s despair. For one thing, the laws of the time were so strongly influenced by patriarchal marriage, the police were unable to intervene. And second, Leona Stucky grew up as a devout Mennonite. Her community’s passivism assured her that God would defend the innocent.

One predatory man stole years of her life. His repeated assaults led to PTSD. In addition, he wrecked her faith in God, forcing her into an absurdist fog, where she vacillated crazily between refusing to believe he existed at all to wanting to blame him for all her problems. In a sense, his behavior destroyed her at a moral level.

Stucky’s experience brought her face to face with evil, and forced her into a personal battle with the age-old theological question “How could a loving God permit evil?” Theologians call this the Theodicy Problem and have spent thousands of years trying to answer it. In the last few decades, psychologists have entered the debate, not so much to try to understand why it would happen but rather to help us recover from its ravages.

Moral injury and the betrayal of beliefs

The American psychiatrist Jonathan Shay, after years of working with Vietnam vets concluded that combat damages sanity in part because it destroys trust in a compassionate, well-ordered universe. Shay explained his proposal in the book Achilles in Vietnam: Combat Trauma and the Undoing of Character.

Since Shay gave Moral Injury a name, psychologists have been using the concept to learn how to help combat soldiers recover from PTSD. But combat is not the only cause for this disruption in moral order. Violent or sexual child abuse, rape, violent crime, terrorism, betrayal, and unexpected, untimely, or unexplainable loss of a loved one can all destroy one’s trust in a sane, safe universe.

At the time of their rapes, neither Alice Sebold or Leona Stucky had much guidance to help them repair the psychic damage of these horrific events. So each author went on a long journey to heal her own damaged soul. Reading their memoirs lets us join these two incredibly gifted intelligent women in their effort to repair themselves.

How could a loving God let this happen?

During Leona Stucky’s attempt to escape her spiritual wilderness, she fell in love with a divinity student. Their hours of debate about God’s purpose and presence continued for years.

Their discussions, and her own desperate longing for a loving God add a fascinating dimension to the story. In the end, she didn’t exactly solve theodicy problem. After all it has defied theologians for thousands of years. So if she didn’t resolve her theological struggle, how did she fulfill her implied promise to her readers to uplift us by the end?

To understand why her story helped her and me make better sense of evil, I turned to Alice Sebold’s memoir for an important clue.

At the time of her rape, Sebold was a student in a creative writing class at Syracuse University taught by Tobias Wolff. Wolff. His memoir This Boy’s Life became one of a handful of bestsellers that launched the modern Memoir Revolution. After she told him what happened, Wolff told Sebold to “remember everything.” His instruction guided her toward the eventual development of her book.

Perhaps that is the real reason Alice Sebold was lucky. In the thick of her suffering, her writing teacher handed her a tool that could help her process her pain. Sebold’s book helped her contain and share her moral injury and demonstrated that memoirs of horrific experiences offer an important tool for the modern mind.

Leona Stucky determination to write about her experience came after decades of wrestling with psychology and theology. In the end, Stucky came to the same conclusion as Alice Sebold. In order to survive the corrosive effects of her soulful wounds, Stucky felt ccompelled to wrap the whole painful ordeal, including a lifetime of heroic seeking for sanity, into a literary container.

The two authors, narrated their horrific traumas, and their long journey back to wholeness, thus revealing a profound psychological truth known to all cultures throughout history. Stories frame and contain our experiences, including suffering and evil, in a way that our minds (in particular the higher cognitive functions of the Prefrontal Cortex) can comprehend.

The Memoir Revolution has given us the opportunity to translate our experiences including ones that shake the very foundations of our emotional stability, into a sensible story. In this form, we can then share ourselves with compassionate readers.

Memoir readers can’t rescue the author from horrific experiences, but we do the next best thing. We use our social awareness, wisdom and love to help the author understand that her memories have now become incorporated into our shared experience. By converting private hells into sharable, socially accessible stories, we develop a language for collective hope and effort.

Leona Stucky’s story demonstrates the psychological struggle many of us face in midlife. Whereas earlier in our lives, in order to say energized, we did everything we could to dismiss or overlook the past, as we grow older, we find an increasing urgency to make sense of that past. And we can only do that through the development of our stories.

By teasing apart our journeys, especially the dark times, and the ensuing compassion and courage, scene by scene and chapter by chapter, we can deeply understand our own intellectual, psychological, and philosophical evolution.

And as memoir readers, we can accompany any number of sufferers of trauma, through their moral injury and then on their long journey to make peace within themselves. Through Story, we join together to release our shaming wounds into the embrace of social acceptance and appreciation.

Notes and Links

Leona Stucky’s Website
Check out Fog of Faith by Leona Stucky on Amazon

More articles on Memoirs and Moral Injury by Jerry Waxler
Alice Sebold and the moral injury of rape
Response to the moral injury of an untimely death of an infant
Repairing self-concept through memoir writing
Kate Braestrup’s solution to the theodicy problem
The moral injury of war
A website that explains  Moral Injury

More resources on moral injury
Recovery from child sexual abuse, Leaving the Saints by Martha Beck 
Documentary movie about combat vets and moral injury
Soul Repair at Brite Divinity School
Awesome interview with Leona Stucky about writing her memoir

For brief descriptions and links to other posts on Memory Writers Network, click here.

Mistaken identification – a memoir of injustice and redemption

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by Jerry Waxler

The memoir “Picking Cotton” begins with the home invasion and rape of Jennifer Thompson a college student in a small southern town. Society cried out for justice, and in response, Ronald Cotton was convicted to a life sentence. Eleven years later, he was fully exonerated, having been imprisoned for a crime he did not commit. This memoir tells the story of both victims, about their journey through that dark night, and the years that followed, explaining what went wrong, and how they picked up the pieces.

When the search began for the monster who had assaulted Jennifer Thompson, Ronald Cotton seemed to fit the part. This young black man had already been in trouble with the law and he had been dating a white girl, two facts that attracted police. He told them there had been a mistake, because he was out with friends that night. Unfortunately, he realized too late that the outing had been on a different night. At the time of the rape, he was actually home asleep on the sofa, a fact sworn to by members of his family. The all-white jury weighed their testimony against Jennifer Thompson’s positive identification. “That’s him,” she said under oath, and so Cotton went to jail.

After the trial, no longer worried about her attacker being on the loose, Jennifer had to face the disruption of her safety and normalcy. Eventually she reclaimed her life, married and started a family. Cotton meanwhile was trying to avoid despair. Early in his incarceration, he learned that another black man had privately bragged about committing the rape. Yet, a botched appeal dismissed this jailhouse confession.

Finally, a sympathetic defense team took up the case. Despite disturbing discrepancies in his trial, the new lawyers could not make a dent in Cotton’s life sentence. It was only after DNA testing that police interrogated the real rapist who officially confessed, including details he could only have known if he had been present at the crime. After 11 years in prison, Cotton was released.

In typical stories of crime and punishment, a diligent detective gradually pries the mask off the villain, and exposes hidden evil. In “Picking Cotton” investigators pried off the demon’s mask to reveal an innocent man.

Memoir as a tool for Redemption

Having been certain that Ronald Cotton was her attacker, it was difficult for Jennifer Thompson-Cannino to revise her mental image of him. And yet, she needed to do something. Haunted by the awful fact that her identification had ruined years of his life, she finally reached out to apologize. When she discovered he had forgiven her, she wanted to do more. Jennifer became actively involved in trying to raise awareness that a victim’s identification should not be considered infallible.

Out of the rubble of that destructive night, a friendship developed that could hopefully save lives. The two appear together on talk shows, trying to put a human face on the tragedy of wrongful imprisonment, especially when based solely on a single person’s memory. Their advocacy aided by the publicity generated by the memoir has contributed to revising guidelines for witness identification, hopefully reducing the psychological influence that can be exerted by police to steer the victim towards their preferred perpetrator.

Stylistic and Emotional Strengths of Picking Cotton

The book alternates between two points of view. For example, in one section we watch the police lineup from Jennifer’s eyes, and later we see that lineup through Ronald’s eyes. Their journey starts out in this treacherous, bleak territory – the rape, the trial, life inside a prison. Then, as they try to make the most of their situations, their paths lead them back towards a lighter place. Their first encounter was based on fear, terror, and error, while their second was based on love and forgiveness, and the effort to transform a wrong into a right. The memoir takes us along on this emotional and moral journey, moving from the external activity of criminal investigation, to the higher moral justice of actual truth.

Thinking at the moral edges

The story of “Picking Cotton” raises many issues. It engages the reader in race relations, justice, and injustice. It involves gender politics, violence, and the power of men over women. It reveals problems with identification, one of the foundations of our legal system. And it digs deep into the challenge of “redemption,” that effort to turn back the clock and make up for what happened in the past.

When I was younger I hoped I could discover the underlying truth that governs the world. I wanted this Truth to exist in science, or in philosophy, or spirituality. But I kept finding that facts and theories could not contain the entire human condition. Rather, through my study of memoirs, I find that within each lifetime or situation, there is a system of right and wrong that is every bit as cosmic as the absolute truth I had always looked for.

In every memoir, I find an author’s perspective that extends my understanding farther and farther. From their point of view, my own logic does not necessarily apply. Instead of my search for one absolute truth I have shifted my focus. In the world of real people, I no longer look for the one right answer. Instead, I seek to understand their stories.

Writing Prompt: Thinking and Writing About Your own Redemption

After a wrong has been committed, how much time and energy do we put into trying to make amends? While we can’t turn the clock back, can we restore some of the decency and dignity of our lives? The Twelve Step Programs suggest that it is worthwhile in many cases to not only face mistakes but try to learn their story, so we can do everything within our power to make them right. The Ninth Step says, “We made direct amends to such people wherever possible, except when to do so would injure them or others.” If there are areas in your memoir that you feel might have caused pain to others, consider the Twelve Step suggestions. Are there ways you could help? Have you used the situation to grow? What have you learned? Could your story help someone else avoid a similar situation?

While most of us don’t have the near-miraculous opportunity Jennifer Thompson-Cannino and Ronald Cotton had to set the record straight, we can pay it forward, to help others who are in a similar situation, or to spread the word and share the story by writing a memoir.

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Amazon page: “Picking Cotton Our Memoir of Injustice and Redemption,” by Jennifer Thompson-Cannino, Ronald Cotton, and Erin Torneo”

For the Picking Cotton’s home page, including appearances by the authors click here.

For the site that campaigns against wrongful imprisonment, see the Innocence Project.

Alice Sebold’s Lucky, a searing memoir of trauma

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by Jerry Waxler, author of Memoir Revolution: Write Your Story, Change the World

After listening to the audio version of Alice Sebold’s memoir, “Lucky,” I’m exhausted. She does a spectacular job of bringing me right into her experience, starting from the details of the attack, the numbing and disorienting results of the trauma, the eventual identification of the perpetrator, a detailed, harrowing account of the trial, and along the way, I felt disturbed. If I didn’t know it already, I am now convinced rape is a form of torture every bit as real as the horrors of war.

And it happens without the military ceremonies, the awards of valor, the training, weapons, or body armor. A college girl innocently walks to her dorm, and two hours later, she’s a prisoner of post-traumatic stress disorder. Trauma does not sit comfortably in the mind, so when we’re not in it we try to forget it. And yet, whether we want to think about it or not, it’s real and it’s awful. By sharing her experience, Sebold reminds us of its reality.

So what would make such a book worth reading? Like any story of another human being, such an authentic, well-crafted tale might be your best chance to see life from that other side. If you know anyone who has suffered this trauma, ever expect to be strong enough to help such a person, or want to switch the word rape from an abstract news item to a deeper understanding of the human condition, this book will do it for you. And while the focus is on her own rape-induced PTSD, late in the book, she realizes that war ravaged veterans suffer from many of the same psychological problems as rape victims.

When looking through this book for lessons about your own memoir, take into account that this is the culmination of decades of self-examination, teaching, and writing. Despite all of the power Sebold brings to the project, or perhaps because of it, her writing is exquisitely simple and accessible. Not once in the whole book, not a single sentence, does she pull away into her own world and leave me out of it. She never hides behind fancy, or even pretty words. Through all that training she has learned to be simple and direct. She tells the story. I am so impressed by the simplicity and rawness of her telling, and think it offers a valuable example for any writer.

If you have ever suffered a violent trauma, and you have never been sure how to write about it, or if you feel it’s too raw to put in a memoir, “Lucky” can perhaps offer some insights. Not only is the storytelling simple. It’s also open. I recently interviewed horror writer Jonathan Maberry, author of Bram Stoker award winning novel “Ghost Road Blues.” He explained that the emotional basis for his horror writing is his own actual memory of violent physical abuse. By sharing his real emotions, he injects his writing with the real power of life. He used the word “authentic” and I think it’s a quality that readers have a sixth sense about. If a writer shares real emotion, we feel it.

It is this sixth sense for authenticity that pulls me in so deeply to Sebold’s Lucky. If you can find the authenticity of your own experience, and harness it into a story, you will not only capture your reader, but will also capture the essence of your experience. It’s this combination of real shared experience, real to you and shared in an authentic way with the reader that makes memoirs so exciting, a window into our individual universes.

When our experiences are so raw, our initial attempts to describe them usually spill out in an unpleasant, disorganized way. We say the same things over and over. We hide. We don’t have words to describe our complex feelings. The trauma breaks down all the sense that has come before, and even turns sense upside down. How can you describe a life that itself no longer feels safe or reasonable. After violent trauma, victims feel isolated inside this strange senseless world. As they try to regain order, they want to reconnect with people. Humans live together in a shared experience. We like to believe our world has the same rules that other people have. In fact, one definition of insanity is that you think your world works differently than everyone else’s.

So to regain sanity, trauma victims try to convince other people that their story makes sense. But how? The people they are trying to tell also feel disturbed by the trauma and shrink away from hearing it. Perhaps the only way to find that connection with others is through writing. People accept terrible things in movies and books. Writing seems to bypass our natural abhorrence, and we can let in some of the horror. It bridges the gap between trauma and normalcy.

Sebold has spent much of her life processing on her attack, starting with her first rage filled poem about the rape shortly after the event. She has taken years to turn the emotional upheaval and horror into a story that is readable by others. And finally, by creating this story, she is able to share it with others who have suffered, or those who give care to sufferers, or anyone looking to understand the dark side of human experience in a way that allows them to hang on to their hope.

While writing doesn’t convert horror into amiable pleasantries, it does transform it into something that makes a sort of sense. In fact, much of life is an accumulation of stories, and we turn to these stories to find sense. Look at the very core of religion, much of which is communicated in stories. And we try to make sense about all kinds of things by telling stories. Writing breaks down the walls that isolate you from others and it also breaks down the walls that separate you from your own experience. So by telling your story, even about something that makes no sense, in a way the story itself makes it feel more organized, more like it fits in with the way the world works. Look to the storytelling to incorporate these events into your life and keep going.

Notes

The motivation behind writing a memoir can add an interesting dimension to our understanding of the events that take place on the page. In the quote below, Sebold explains:

“One of the reasons why I wrote it is because tons of people have had similar stories, not exactly the same but similar, and I want the word ‘rape’ to be used easily in conversation. My desire would be that somehow my writing would take a little bit of the taboo or the weirdness of using that word away. No one work is going to accomplish the years of work that need to be done, but it can help.”

In fact, her intention has certainly been realized in my own willingness to write about this troubling topic and talk about it in my writing classes. I believe this is one of the great powers of the memoir revolution — that as more of us turn life into story, we build a shared language that breaks through all sorts of silences and helps us increase our mutual compassion and understanding.

Click here for another article on using memoirs to heal self-concept after trauma

More memoir writing resources

For brief descriptions and links to all the posts on Memory Writers Network, click here.

To order my book Memoir Revolution about the powerful trend to create, connect, and learn, see the Amazon page for eBook or Paperback.