by Jerry Waxler
Angela’s Ashes by Frank McCourt was supposed to have resurrected the memoir business, and so naturally I wanted to read it to experience the buzz for myself. I found that listening to it was a satisfying, and sometimes disturbing experience. The relentless poverty and pressures of life in Ireland was almost overwhelming. So why did I keep turning the pages (or in my case popping in CD’s?) Answering that question could help me understand what makes a good memoir. All along, I was in McCourt’s shoes and wanted to know what happened. What kept me in his shoes, after crying out at the futility of the umpteenth time his father drank his paycheck and lost his job?
Here are a couple of things I observed in myself as I kept listening to this story:
McCourt the writer is a master of the language. Listening to his voice was almost hypnotic. His use of idioms and conversational voice is spectacular. As a bonus, as he grew from a child, his observations and sentence structure often reflected his age, progressing from a child’s thoughts to a teenagers, and so on. I was able to identify with the character’s Irish culture, his age, and the emotions of the people around him through his use of language.
The book uses events in the world as a way to keep the story moving. So he tells of the coming war in Europe, then the presence of the war, and then its passing to let us know where he is in time, and what is going on around him. Showing us his world helps us feel present in it.
His sharing of the Irish culture kept me engaged. As with any memoir, I can learn about a part of the world that I can’t see by seeing it through his eyes. I was drawn to understanding what it was like growing up in Ireland in the thirties and forties. Irish culture was one slice of the human experience, and also from a cultural and historical perspective plays a significant role in western civilization, and American culture (see the book How the Irish Saved Civilization).
Another feature of a book that kept my attention was that it started with a challenge. This is a basic feature of every good story. The protagonist’s desire sweeps me along. He had many desires. To simply survive, to survive with dignity, to learn about the world, to learn about his relationship with God and people. The book is a classic coming of age story, compounded with overcoming hardships. As a reader, I wanted to share his experience as he grew up and overcame hardships.
The story structure offered an elegant example of one aspect of the Hero’s Journey. He left home at the beginning and returned home at the end. He was born in New York, moved to Ireland as a child, and then returned to New York as a young man. This storytelling feature works at an almost subliminal level to give closure. From the point of view of his development as a person, though, it leaves much to be desired. Still sinning and confessing at the very end of the book, he leaves the door open for a sequel in which he can continue Coming of Age.
There was one more element of the book that caught my attention. He was such a wreck of a person, struggling with the church, struggling with his value system, recognizing the terrible dilemma between his needs for survival and pleasure and that these desires often went against the teachings of his church. He discussed in elaborate exquisite, gut wrenching detail about how he struggled morally, and in his early years found relief through confession, but later stopped going to confession.
Later, in a moment of desperation, a priest coaxed him to simply tell his sins to a statue of St. Francis while the priest sat and listened. It was a stunning moment of storytelling and redemption. While McCourt talks to St. Francis, the priest is listening, and so are we readers. He offers a quick summary of the highlights, or rather I should say the lowlights, of his sinning. And then he feels free. I woke up this morning realizing that the entire book is one gigantic confession. By sharing his story with the world he is finding redemption and a sort of freedom.
And that’s a main “lesson” we learn from Angela’s Ashes. Memoir readers are confessors. And now if we write our memoirs, we can gain this same benefit and let our storytelling set us free.
More memoir writing resources
To see brief descriptions and links to all the essays on Memory Writers Network, click here.
To order my step-by-step how-to guide to write your memoir, click here.
Interesting entry. I’ve read this many years ago and felt the same way, but I certainly couldn’t articulate it at the time. Now, I’m a more careful reader and try to recognize and understand the undercurrents of the plot.
I haven’t tried listening to a book on CD yet. How do you find that experience? Do you think it’s different than sitting down and reading it?
This is a great question about listening versus reading. The reason I started listening to books was that sitting in the car, it was the only choice. But now that I’ve been listening for a while, I can see pros and cons. When the book is read by a superb reader, it helps. Many books are read excellently. Frank McCourt’s had the added dimension that he was able to speak with a variety of charming accents, and he change his voice for different characters. I think in this particular case, hearing it read was a superior experience.
A downside to listening to books is that it’s harder to go back to reread, or skim over boring spots, and you can’t see how things are spelled, which I find frustrating at times. And sitting with a book in a comfortable chair is one of the delights of my life, so I don’t expect to give that up any time soon.
Pingback: Angela’s Ashes | The Reviews