Tag Archives: fame

If this memoir author is famous, maybe you are too

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by Jerry Waxler

This is the second part of my essay about Dawn Novotny’s memoir, “Ragdoll Redeemed: Living in the Shadow of Marilyn Monroe.”  Click here to read part one

Who is this person and why should I care?

In memoir workshops and talks, people often ask me “Why would anyone care about my life?” My answer has two parts.

One: By crafting the story you will begin to understand the answer to your own question. As you write, you delve deeper into your own journey. You learn how the parts fit together, and attempt to develop story-values that will make the journey worth reading. Writing a memoir is a fabulous creative exercise that can help you grow more self-aware, and wiser about the journey of your own life.

Two: People who read memoirs are curious about the journeys of the people around them. If they only wanted impeccable storycrafting, they could choose from the vast selection of novels whose authors can invent whatever they want. Instead, we reach for memoirs because of our passion for actual human experience. I have read hundreds of memoirs because I am fascinated by the stories of real people. Write your memoir for readers like me.

If she is famous, maybe you are too

Before the twenty-first century, most memoirs were about celebrities. Famous people are fun to read about because it feels like we’re learning about old friends. This is one reason I read “Ragdoll Redeemed: Living in the Shadow of Marilyn Monroe.” Novotny’s first husband, Joe Junior, was the son of the baseball giant, Joe Dimaggio. Joe Junior’s step-mom was Marilyn Monroe. By reading about Novotny’s life, I thought I could learn the background of these famous people.

But Novotny was not famous herself and neither was her husband. She was famous twice removed. The presence of her memoir on my book shelf points to a fascinating trend in the twenty-first century. The very notion of “fame” is changing. Through the internet we all know people who know people. Like the old game of Six Degrees of Kevin Bacon, the internet age has ushered in the six degrees of every one of us. As we continue to grow increasingly connected to each other, fame in the internet age spreads out exponentially.

In fact, despite her connection with one of the most famous people in the world, I actually heard about Dawn Novotny through Linda Joy Myers, the president of the National Association of Memoir Writers, who wrote the foreword to the book. I was attracted to “Ragdoll Redeemed” because of my respect for Linda Joy’s energetic work with memoir writers, and her belief in the power of memoirs. And now that I am writing about the book, you have another way to know about Dawn Novotny. You know her because you heard about her from me.

When you ask yourself, “Why would anyone care about my life?” don’t ask it as a rhetorical question and assume the answer is “no one.” Switch it into an actual question, and then attempt to arrive at a specific, compelling answer.

First, when potential readers consider your book, they will be interested to learn that you have spent years plying the craft to create a story that contains dramatic tension and release. You will boil down the essence of your findings in the subtitle and blurb and readers will decide if they want to participate in your exploration. Part of their joy of reading your memoir will be to learn about your creative process. You are showing your readers how a writer can turn a lifetime into a book. Any memoir reader would be interested in that.

Second, out of all the people in the world, some of them are curious about you. Consider all the potential readers you are or will be connected with through various personal and internet groups. In addition, to internet acquaintances there are also people who want to know more about your situation. If you grew up in the Midwest, or are involved in Twelve Step programs, or love to quilt, people who had those experiences will relate to yours. For example, when Tracy Seeley wrote “My Ruby Slippers: The Road to Kansas and a Sense of Place” anyone from Kansas might wonder about her journey.

As we warm up to living in the internet age, we aspiring memoir writers are participating in this shift of attention from traditional fame to a new version that includes everyone. And Dawn Novotny’s life journey represents a perfect model for this transition. She started out as a rag doll, living as an object of other people’s dreams. Gradually she discovered that she is a real person. We’re doing the same thing as a culture, moving from the old-fashioned definition of fame in which we only cared about inaccessible stars on a pedestal, to a new definition that opens us up to authentic people. By writing a memoir we can share our authenticity with people who crave that sort of thing.

Notes

Dawn Novotny, RagDoll Redeemed: Growing up in the Shadow of Marilyn Monroe

Dawn Novotny’s blog and home page

Another memoir by someone who grew up in the shadow of fame is by Erik Erikson’s daughter Sue Bloland. In her memoir “In the Shadow of Fame,” she wrote about the strange experience of growing up near her father who was a famous psychologist. Speaking of reenactment, she too became a therapist.

This is the second part of my essay about Dawn Novotny’s memoir, “Ragdoll Redeemed: Living in the Shadow of Marilyn Monroe.” Click here to read part three

More memoir writing resources

To see brief descriptions and links to all the essays on this blog, click here.

To order my step-by-step how-to guide to write your memoir, click here.

Conflict with Parent Fleshes in Authentic Character

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by Jerry Waxler

When we look at the flaws in Andre Agassi’s character, as described in his memoir “Open,” it’s easy to see echoes of the tension between him and his father. From earliest childhood, Agassi’s father was obsessed with turning the boy into a tennis champion. At first his father looked like a tyrant, forcing the boy to hit a million balls a year. What kind of man would treat his son that way? In fact, Agassi goes on to explain his father’s thinking. One reason the book impressed me so much is because Agassi never asked me to hate his father. The memoir showed the characters and let me make up my own mind.

Agassi internalizes these demands, and feels enormous internal pressure to live up to his father’s unreasonable expectations. But simply following his father’s dreams starts to tear him apart. He wants to find his own goals. The journey of the memoir is about his self-discovery. The conflict keeps him striving and keeps me turning pages to learn how he would cope with it.

Agassi’s parental pressure turns up in a surprising number of ways. Both of his wives, Brooke Shields and Steffi Graf, were driven by high pressure, star-maker parents. When Agassi’s father meets Graf’s father the two highly competitive men almost come to blows. On the opposite extreme, Agassi’s friend and ghostwriter J.R. Moehringer grew up with no father. Moehringer wrote about this fatherless childhood in his memoir “Tender Bar.” Obviously Agassi has a lot going on in the parent department.

The tension I experienced with my ordinary father

This in-depth look at Agassi’s relationship with his father made me want to run back to take another look at my own. My father, a second generation immigrant, spent all his time tending his drugstore. I felt invisible and to gain his attention spent more and more time working at the drugstore. After I moved away from home, I continued to try to become the kind of boy he would notice.

Now that I have been working on my memoir for several years, I have a number of scenes that portray my involvement with him, and now, to learn more about our relationship I can read my own book. To my surprise, I find many instances when he offered himself to me in kindness and support. Even though I knew the facts, I had overlooked them for all these years. He did notice me. Now, I own that observation whether or not the scenes actually reach a published memoir.

Memoir writers and their parents

One of the most common complaints I hear in a memoir workshop is about the difficulty of writing honest feelings about parents. I encourage writers to push through their reluctance. Writing about them will reveal the relationships in new ways. Even if this material does not appear within the frame of your proposed story, you may find a wealth of material that can help you flesh in your own character, and sharpen your understanding of the conflicts that drive you later in life.

When you review your life, you may encounter things one or both parents wanted you to do. You have your own feelings about how these desires played out. You may have wished you lived up to their dreams, or resented that you followed theirs instead of finding your own. A memoir is a perfect place to explore these introspective topics, and even if you never intend to publish it, your family conflicts may help you discover your own organizing principles. After all, these were the people responsible for molding you. You can learn a great deal about yourself by seeing the conflicts with them unfold on paper.

Writing Prompt
Write scenes with your parents. Write about an argument, a missed dream, a desire for harmony. What did your parents want from you that you couldn’t deliver? Write a scene of rapprochement, or of reproach. Write about the first time you realized they might have inner or outer tension with their own parents, and then write what you know about those tensions. By recognizing the splits and paradoxes in your relationship with your parents, you can flesh in a more compelling portrayal of them as well as yourself.

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Note

This is part of a multi-part essay about Andre Agassi’s memoir “Open.”

More memoir writing resources

To see brief descriptions and links to all the essays on Memory Writers Network, click here.

To order my step-by-step how-to guide to write your memoir, click here.

This celebrity has flaws. How about you?

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by Jerry Waxler

Despite Andre Agassi’s fame, his memoir “Open” takes you on a real emotional ride worthy of any excellent story. In this multi-part essay, I look for lessons in the book that can help me learn about the structure of a memoir.

Every protagonist needs emotional flaws

Agassi became the best tennis player in the world, but it was never enough. Even with his money, his fame, and his supermodel wife, his dissatisfaction always left him sour. Talk about ungrateful! This guy was beginning to sound like a real jerk.

While genre fiction typically sets the protagonist against an external villain, in memoirs the enemy often lies within. Agassi’s disaffection with his first wife, the relentless pressure to win, and other internal battles created increasing agitation. He slipped close to the edge of an emotional abyss. His attitude became so bad he didn’t see any harm in a little crystal meth, a self-destructive choice for anyone. But with all the strict regulations in tennis, the move could have devastated his career. Surprisingly, Agassi’s revelation of flawed choices, rather than alienating me, drew me closer to him, letting me care not just about his career, but about a complete person.

Writing Prompt

Write a scene that showed you behaving poorly. Such scenes may be dark, but you don’t need to be stuck there. The power of memoir writing comes from the complete picture, including the whole gamut of your experience. Write a scene in which someone, whether a stranger or a friend reached out to help you. Write another scene that shows your courage, your self-awareness, and your progress. These lows and highs give your reader a real person to relate to, on a more authentic level than if you pretend you have always been perfect.

Write about taboo behavior

Andre Agassi’s behavior crossed a taboo. He took drugs while playing professional sports and then lied about it. Some people will never forgive him, and yet he revealed the behavior anyway. There are other taboo subjects like child abuse or other forms of cruelty that your audience will not be disposed to forgive. One way you could explore the topics is through fiction. Having said that, we live in a time when taboos are breaking down all the time. Brooke Shields’ memoir “Down Came the Rain” is a fascinating example. The social expectation for all mothers to love their babies has created a wall of silence around postpartum depression. Shields leveraged her stardom along with the self-reflective mood of our times to bring this crucial mental health issue into the open.

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More memoir writing resources

To see brief descriptions and links to all the essays on Memory Writers Network, click here.

To order my step-by-step how-to guide to write your memoir, click here.

The Protagonist of a Memoir Must have a Goal and Obstacles

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by Jerry Waxler

A fundamental element in every story is the reader’s identification with the protagonist. This protagonist doesn’t just stand there. He or she wants something and then moves toward it, while readers turn pages, eager to overcome the obstacles. In Andre Agassi’s “Open” the pressure to push against obstacles generates enormous tension that makes the story move like a novel.

Identify the Protagonist’s “True Goal”

Andre Agassi obviously wanted to succeed at tennis. Or at least that was what his father wanted him to do. Even while Agassi was winning matches, inside himself, he felt lost. Over the course of the book, he discovered another set of goals. These were not the ones his father had imposed on him – fame and wealth through tennis – but the ones that came from his own heart. Until he discovered his passion for helping kids, his path was murky. In fact, this is one reason why the book felt so profoundly satisfying. His search was not simply to achieve his goal. First he had to find it.

Writing Prompt
To find the essence of your own story, identify the desires that drove you. This can be even more intriguing when you explore the way your goals changed over the years. List or describe the things you wanted when you were twenty. Make another list for what you wanted ten or twenty years later. Compare the lists. What changed? Write a paragraph or a page describing the evolution of your desires.

This celebrity’s inner obstacles were just as interesting as his outer ones

As a tennis player, each serve and volley was crucial. Agassi compared tennis to boxing, but much lonelier since tennis players never even touch each other. The image was apt as I could imagine him grunting, sweating, and struggling to fight off the blows from his opponent and land some of his own. Agassi describes many critical wins and losses, providing fascinating external drama.

But the heart of his story took place inside him. Even as he was becoming famous, he continued to feel confused and rebellious, creating a reputation as a bad boy. Hired to act in a television commercial, the director told him to say “Image is Everything.” Even though the motto was intended to sell cameras, his critics and fans jumped on the phrase, twisting the words that came out of his own mouth into a confession that he was in fact shallow and self-involved. Now, he had to fend off insinuations that he had no inner life. The media and fans made him their own creature, someone they could shape, since he obviously was having trouble shaping himself.

This pressure between his inner struggle to define himself and the outer pressure of the media to define him creates one of the most insightful portrayals of the celebrity culture I have ever seen. It is also evidence that a passionate memoir writer can delve into the facts of life and go deeper and deeper until he discovers authentic, unique, interesting dramatic tension.

Writing Prompt
Your own obstacles will be an important component of your story. Some of the outer ones will be easy to spot. You didn’t have enough money, or you lost a parent. Write one or more scenes, portraying how you overcome external obstacles.

In addition, to describing the things outside yourself, look within and describe inner problems. Perhaps you violated your own principles, or tried to please the wrong people, or perhaps there were things you only realized you wanted after the failure of your first round of desires. Write a scene that shows a moral or psychological dilemma. What emotions or beliefs got in your way? Continue to the next development. How did you overcome the obstacle?

This is part 2 of an article about Andre Agassi’s memoir “Open.”  In Part 1, I pointed out that a memoir can be great even if it’s by a celebrity. In the next part of my search for the techniques that make the memoir work, I will look at the emotional flaws in the character, and conflicts with other characters.

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More memoir writing resources

To see brief descriptions and links to all the essays on Memory Writers Network, click here.

To order my step-by-step how-to guide to write your memoir, click here.

When is a memoir by a celebrity not a celebrity memoir?

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By Jerry Waxler

Andre Agassi was one of the greatest tennis players of all time, and he was married to supermodel Brooke Shields. So it would be natural to expect his memoir, “Open,” to be just another celebrity memoir, taking a free ride on his household name. But the book was not a vapid look at the privileged life of a star. Instead the tennis player and his ghost-writer J.R. Moehringer, author of the memoir “Tender Bar,” converted a lifetime into a good story, filled with emotional insight.

The memoir had much in common with a good novel. It developed characters, built suspense and guided me through the protagonist’s emotional experience. The author found the prize all aspiring memoirists seek. Like a quest for the holy grail, he located the organizing principle that allowed him to collect his experiences into a readable whole.

Each of us must describe our own unique path, but after reading more than a hundred memoirs, I find that memoirs are driven by fundamental principles. Like any story, memoirs require  dramatic tension and story arc. But many people, especially those who fear their lives are not important enough to write about, make the mistake of thinking that all the action takes place on the outside, with flashy characters and big scenes.

I find that memorable memoirs use the external events as a shell. The heart of the story takes place on a more interior level. When I read a memoir, I want to gain a deeper understanding of what drove the protagonist through those events. What inner flaws made the journey more difficult and how did the author overcome those inner obstacles?  “Open” is a world-class example of the author’s inner journey, making the book not only a good read but also an instructive one, offering valuable insights into what makes a memoir tick.

This is the first part of a multi-part review of Andre Agassi’s “Open.” In the next entry I will pick apart the elements and suggest ways “Open” can help you write your own memoir.

More memoir writing resources

To see brief descriptions and links to all the essays on Memory Writers Network, click here.

To order my step-by-step how-to guide to write your memoir, click here.

Let us now praise those who serve – a new way to earn fame

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By Jerry Waxler

I thought I saw Brooke Shields in a restaurant in Princeton. I didn’t want to be rude and stare, but the woman I was with had no such problem. She said, “Yup, that’s her.” Now, decades later, I still feel I have a special relationship with Brooke. I’ve heard similar star-struck stories all my life. For example, I once walked into a shoe store in Sausalito, California and the salesman gushed that Daryl Hannah had been shopping there a week earlier.

I worry about all this adulation of good looking people, and wonder if we are collectively heading in the same direction as teenagers whose first love is based solely on physical attraction. Such choices often end in disaster.

I wish we could base our collective admiration on qualities that run deeper. And I believe this is exactly the role memoirs could serve. Whether or not I knew the author before I started reading a memoir, by the time I finish, I feel we have grown closer, like traveling companions who have shared many miles.

Through memoirs I know the inner workings of all sorts of people. I know Haven Kimmel’s childhood in a small town in the Midwest. I know Kate Braestrup’s climb out of grief amidst the streams and forests of Maine. I know the horrors Jim McGarrah experienced in Vietnam, and the psychological cruelty endured by Sue William Silverman. I know what it was like for Rebecca Walker to grow up black, white, and Jewish.

While all these writers earn my regard, some emerge from the pages, using their books as a platform from which they can raise awareness of some cause.

Henry Louis Gates and Tavis Smiley raise awareness of intercultural relations in America. Firoozeh Dumas tirelessly advocates to improve relationships between the U.S. and the people of Iran. Ashley Rhodes-Courter lobbies to improve the foster care system in America. John Robison educates the public about Asperger’s. Greg Mortenson started the Central Asia Institute to educate poor children in Afghanistan and Pakistan. Jennifer Thompson-Cannino and Ronald Cotton publicize the plight of wrongfully incarcerated prisoners.

Several memoirists offer the power of words, not just inside their book but also in classrooms and other literary programs, trying to call our attention to that power in our own lives.

Erin Gruwell started the Freedom Writers Foundation to promote educational reform. English professor Robert Waxler founded a program, Changing Lives Through Literature, CLTL, which offers the alternative sentence of studying books, helping convicted criminals escape their pattern of crime, and Caryn Mirriam-Goldberg developed a group, Transformative Language Arts, dedicated to using language to transform and heal society.

My love for all these memoir writers continues to grow. Through stories and activism, we swap passion and build sustainable relationships based on a more solid foundation than beauty.

I don’t mean to imply that the people who tell their story necessarily look bad. In fact, even Brooke Shields has earned her place on this list. Her memoir “Down Came the Rain,” tells about her struggle through the dismal terror of postpartum depression. She has shared her potentially humiliating experience in order to raise awareness of an important mental health issue. In the process she also shows me there is more to her than just a pretty face.

Writing Prompt
Consider ways your life experience could serve a cause, through advocacy or activism. Try writing your book blurb or a press release about your memoir that emphasizes the public service of your private life.

Notes

More about Transformative Language Arts Network

More about the Freedom Writers Foundation

More about Changing Lives Through Literature alternative sentencing program

Ashley Rhodes-Courter’s home page

To see brief descriptions and links to all the essays on this blog, click here.

To order my short, step-by-step how-to guide to write your memoir, click here.

Memoir by Celebrity Joan Rivers Offers Lessons for Aspiring Writers

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by Jerry Waxler

Author of Memoir Revolution: Write Your Story, Change the World and How to Become a Heroic Writer

After learning so many lessons from Steve Martin’s memoir “Born Standing Up,” I wanted more, so I jumped in to Joan Rivers’ memoir “Enter Talking.” Her path was remarkably similar to his. Year after year she too made a fool of herself in a desperate bid to please people, persisting through darkness, despair and frustration. What strange alignment of the stars caused these two comedians to suffer so we could laugh?

(To see my essay about Steve Martin’s journey click here.)

While their tales may seem to apply only to the stratospheric world of big celebrity performers, both started as ordinary people. And so, I found lessons in both their journeys that helped me on my struggle to travel from no readers to as many as possible.

Innovation makes publishers nervous

One contradiction sits mysteriously at the center of both their journeys. On one hand, audiences and talent scouts want to be entertained by a fresh voice, and on the other hand, gatekeepers shy away from an act that is too different from the ones that are already making money.

The road to success is littered with the dead acts and fatigued performers who have given up before making it through the gauntlet. And that’s exactly what makes Rivers and Martin so interesting, so informative, and in the end so famous – their relentless pursuit of unique excellence and their refusal to follow the herd. By continuing to push, inch by painful inch, they made almost imperceptible progress, polishing their act, gaining allies, and after each disappointment learning a lesson that would help them do better next time.

Their experience applies directly to memoir writers. Each memoir is its own thing. No one has ever done your particular life story before in your particular voice. But gatekeepers seek books that are similar to ones already on the bestseller list. How do you please them and stay true to yourself at the same time? These two memoirs offer insights into this seemingly impossible challenge.

Different decade, different coast

While the two memoirs bear remarkable similarities, they also have many differences. Steve Martin’s home base was Los Angeles from which he traveled to college campuses and small clubs all over North America, coping with endless miles of loneliness. Rivers’ home base was New York and her endless search was around town, begging agents’ secretaries for a few minutes with the boss, begging for stints at night clubs, venturing out of town for gigs in the Catskills, and a stint at the Second City Improv in Chicago.

Pacing of the memoir works like a thriller

Despite her relentless efforts, for six years Joan Rivers only had scattered success in a few clubs and occasional tours. But the Holy Grail of national exposure on television eluded her. When Jack Paar invited her on to his influential television show, she thought she had arrived. Weirdly, after the show he told his producers not to invite her back, calling her a “liar.” He didn’t understand that her ironically exaggerated stories were jokes. Crushed, she returned to small clubs.

After a few years, she was no longer a kid, and agents started to call her “old news,” and said if she was going to succeed she would have already done so. Over and over she hit the wall of rejection. This heart breaking cycle continued for hundreds of pages, like in a thriller in which the smell of disaster encourages readers to move on to the next page.

Finally, finally, at the very end of the book, her agent practically forced Johnny Carson’s producers to accept her for a spot. From the moment she walked on to the set, Carson clicked with her humor. He laughed. He fed her lines. And he praised her on camera. The tension broke, and the next day her agent called to tell her she would not earn less than $300 a week for the rest of her life. In a surge of joy and accomplishment, Rivers shouted at the world “I was right.”

Satisfying Character Arc

I found the almost abrupt end of the book to provide a focused emotional release equivalent to a well placed punch line. I think at least some of the satisfaction results from her character arc. As we follow her from amateur to professional comedian, the story arc shows us not only her external journey. It takes us deep inside Rivers’ psyche.

When she first tried her hand at comedy, she repeated jokes learned from other comedians. Gradually she tried more authentic material, improvised from her own experience. When she saw the irreverent performances of Lenny Bruce, she realized that he ferociously battled ignorance by telling truth more bluntly than it had ever been told. She had an epiphany that truth is the one thing that makes life worth living and she vowed to incorporate confession as the centerpiece of her comedy.

For example, she was hired at the last minute to take someone’s place in a performance. Many times in her career, she had been hired to do a gig and then fired after the first night by producers who hated her act. So she worked her fear into the routine. “I don’t know how long I’ll be working here. I notice they wrote my name in pencil on the poster out front.” She turned her vulnerability into a joke.

Her most vulnerable disclosures came from the arguments with her parents, who expected her to be more “normal.” She was a middle class girl with a degree from a prestigious college, daughter of a respected doctor. Desperate to succeed she moved out of the suburbs to live practically homeless in Manhattan, a move that so outraged and frightened her parents, they threatened to have her committed. By baring these fights with her parents she brings the same relentless commitment to honesty to her memoir as she offers onstage.

The memoir is a stunning expose of herself, her sorrow, the bitterness between her and her parents, and her struggle to find her own unique place in the world. The rejection and arguments didn’t tear her apart. Instead, the adversity seems to have made her strong, and provided the basis for a public career that has spanned 40 years, giving her the rare opportunity to become rich and famous by being exactly who she is.

Notes
For brief descriptions and links to all the posts on Memory Writers Network, click here.

To order my book Memoir Revolution about the powerful trend to create, connect, and learn, see the Amazon page for eBook or Paperback.

To order my step-by-step how-to guide to write your memoir, click here.

To order my self-help workbook for developing habits, overcoming self-doubts, and reaching readers, read my book How to Become a Heroic Writer.

Celebrity Lessons for Writers

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by Jerry Waxler

I picture Steve Martin in dozens of situations. I’ve seen him tell jokes on talk shows, woo a woman in the movie “Roxanne,” and anxiously fuss over his daughter in “Father of the Bride.” The more I think about Steve Martin, the more I remember him. It feels like we have been hanging out together for years. So when I heard about his memoir, “Born Standing Up,” I should have jumped for joy. But instead, my impulse was to run away. One reason for this aversion is that I prefer the lives of “ordinary” people. Another reason is that I’ve been burned.

Years ago I purchased a memoir by Ruth Gordon, an actress whose performances enchanted me in movies like “Harold and Maude.” I looked forward to reading more about her, but the prose was so boring, the situations so leaden, I actually returned the book for a refund. From that experience I formed the prejudice that celebrity memoirs are on the shelf because the author is famous, not because the book is good.

My conclusion was based on a sample size of one, hardly an impressive scientific test. Furthermore, famous people exert enormous power in our culture, and unless I break down and read their memoirs, I’m going to remain ignorant about them. So when an online friend suggested that Steve Martin’s “Born Standing Up” was authentic and introspective I decided to give it a try. It turned out to be an excellent book about a boy’s climb from ordinary childhood to international fame.

Desire, Effort, Sacrifice

When Martin was a child, he looked at the stage and knew he wanted to be on it. At first he thought he could achieve success by performing magic acts. Later he incorporated comedy into his routine and then banjo playing. Basically, he didn’t care what he did, as long as he performed. Of course, reaching the stage was only the beginning. To be invited back, he had to learn how to please audiences. It was a long journey.

Writing Prompt

Consider your own life achievements. What sacrifices and hardships did you make in order to achieve some greatly desired goals?

Writers want to reach the public, too

Most writers think they will be finished when they type the last word. They seldom anticipate the public leg of their journey. And yet, to succeed we must reach out to readers. Many memoir writers are interviewed on radio, speak at meetings, and greet people at book signings. People want to learn more about us. So we writers need to face audiences gladly, learn to please them, and damp down our sensitivity to the weird mix of scrutiny, criticism, and indifference.

Hardly any of us will become famous in the way Steve Martin is, and yet his memoir provides insight into our situation. Like so many successful artists and performers, Steve Martin claims his fame had more to do with persistence than talent. He relentlessly pursued public attention, and refused to accept defeat. Week after week, he found an open microphone or a low paying gig, stood in front of the crowd, failed miserably, tried to learn from his experience, and did it again.

Famous writers often tell similar stories. Stephen King persisted despite many rejections, and I’m beginning to believe that willingness to reach for the public is indeed the entry fee. Martin sought fame as if his life depended on it. It makes a good story. His desire established the momentum. We accompany him through those years as he tried to fulfill that desire despite seemingly impossible odds.

As writers, we need to develop this dramatic tension in the stories we write. And to succeed, we also need to follow the dramatic tension in real life. By following our desire, we make choices and take chances that lead us further towards our dream of communicating with readers.

Writing prompt

What tenacious drive did you follow? Making babies.. your career.. your art or sport? Write a scene of rejection or failure, and show how you picked up and kept going.

Even spectacular success becomes just another chapter in a long life

His fame grew so large he was performing in large halls where he was barely visible from the back. And yet, surprisingly, even during this period of exploding fame, he continued to experience terrible anxiety attacks, private hells he can’t really describe. He was intensely lonely and scared much of the time.

Then Martin walked away from comedy and shifted to movie making. He says he never looked back. He even claims he forgot about those years when he was trying so hard to earn a living by making people laugh. Considering how much psychological pain he suffered during this period, it makes sense that he would forget it when he moved on to the next chapter in his life. Later, when he tried to write about it, this period came into focus and took its rightful place in the whole journey of being Steve Martin.

This is an excellent example of the way life really works. When we move on to a new challenge, a new city or relationship or career, we often have trouble remembering the old one. We don’t even know we’ve forgotten. The years are simply gone. By writing we can re-integrate those lost parts, making ourselves more whole.

Did it for you dad

Martin’s story includes a tragic portrayal of his relationship to his father. He could never please his dad, and so he kept wondering what he could do to impress the old man. When his dad was close to death, Martin reached out to him and said, “I did it for you, dad.” Then turning to the reader he says, “I should have said, ‘I did it because of you.'” In other words, he became a successful comedian in order to break past his dad’s relentless disapproval.

By sharing this intimate moment, Martin proves the point that celebrities are people. The work of a memoir is to offer that humanity to readers. And so, I’m glad I read this book about a celebrity, who was also a real human being, who wanted the same things I want, and who was later willing to take the time to go back, organize those experiences and share them with me in his memoir.

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Please comment about your best or worst celebrity memoir, or your experience with tenacity.

Note
Another memoir “Enter Talking” by Joan Rivers also highlights the shocking tenacity needed to go from obscurity to fame. She also endured years of hardship and rejection. To read my essay about Joan Rivers‘ tale, click here.