Tag Archives: Cultural community

A Healthy Community Needs a Healthy Writer’s Group

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by Jerry Waxler

A regional writing group in which I participate asked me to contribute to an application for a 501c3 status as a non-profit community organization. Since this is a topic about which I have been passionate for years, I had a number of ideas that I had never written in one place. Now, as I research the ways a writing group helps the community, I extend the conversation out to you. If you need such a document in your own writing group, or you want to offer your ideas and suggestions  to our group, please write your comments, links, and suggestions, below.

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Since 2001, when I joined a writing group called Writers Room in Doylestown, PA, I considered writing groups a crucial part of my life. I am now the workshop chairman for the Greater Lehigh Valley Writers Group, GLVWG where I have volunteered at monthly meetings and the annual conferences, served on the board, and spoken at area Libraries, and I am on the Board of Directors of the non-profit group, Philadelphia Writers Conference. Why do I invest so much of my time and energy into writing groups? Because I have observed that healthy writer’s groups contribute to healthy individuals and communities.

GLVWG, like every writing group, consists of people who are engaged in a three-dimensional endeavor. First, members reach inwards, developing the skills to converting thoughts to writing. Second, they reach towards their peers, to encourage each other, develop networks, and create a healthy organization. And third, they reach out to surrounding neighborhoods and towns, using the craft of writing to engage others in the larger community.

So it turns out when writers come together in a non-profit organization like GLVWG, their writing, which is often perceived as a solo activity, is transformed into a contribution to the “common weal.”

Activities sponsored by GLVWG

GLVWG engages in a variety of activities, all staffed by volunteers.

  • Monthly meetings
    Library Talks
    Firehouse Friday, public reading
    Annual conference
    Monthly discussion circles
    Workshops
    Newsletter

None of these activities compete with commercial ventures, and taken together offer a wide array of benefits to individual, group, and community.

Communities need more facilities to teach the life skill of writing

Writing is a life skill, necessary for all sorts of communication. However, after our formal education is over, there are few places where we can improve these skills. Our community is under-served in this regard. GLVWG provides such training opportunities, offering a place where community members gather to share creative passion, and learn about writing.

Through GLVWG, published authors contribute to the community

The writing group attracts published authors to the area, and also brings the ones already in the area out of their homes and into the community, where they offer talks and booksignings at local independent and chain bookstores, craft fairs, and libraries.

Writing promotes regional culture

Culture, as expressed through such media as music, drama, and writing, represent the creative expression of society. Writers make an especially important contribution to culture, because in addition to its artistic merits, writing also informs. The members of GLVWG contribute to this culture in many ways. We write for entertainment, for the healing of self and others, and call our neighbors out for social action. Taken as a whole our writing forms the backbone of human culture.

Writing helps democracy and civic life

As many social commentators have observed, reading is necessary for a healthy democracy. In order to read, we need writers. GLVWG writers participate in all the local and regional media. Our members are reporters, bloggers, and contribute to group newsletters.

Writing groups help kids, families, and schools

GLVWG reaches out to young people. Parents and teachers pass on the value of writing to their children, encouraging them to explore poetry and storytelling. GLVWG runs a high school writing contest to stimulate and reward young writers. The young people who participate appreciate the opportunity to turn their creative energy towards the development of fictional worlds, giving them an outlet, as well as teaching them tools for their future employment and satisfaction.

Writing groups help seniors

Verbal activities are good for seniors, increasing mental stimulation and purpose, and reducing isolation. Many of our members are seniors. In addition, our members teach classes at senior centers. And as we teach and learn the arts of story writing, we preserve the stories of community members.

Writing groups help community religious institutions

Our members contribute to publications in their houses of worship, extending the connections of individual members into their own groups.

GLVWG collaborates with other nonprofits to provide cultural activities

Our group does not work on its own. We collaborate with a local theater to stage public readings. Members work with local senior centers to provide instruction. And we cooperate with a local non-profit storytelling guild, and book and art festivals. GLVWG provides people a place to gather, be entertained and learn. We have been featured in local radio, television, and on the internet.

Conclusion

Our culture relies extensively on the written word, and yet individual writers and aspiring writers often feel isolated. Non-profit writing groups provide an incubator where such individuals can learn their craft, and extend their verbal interests beyond themselves out into the community. It’s a perfect example of a win-win investment. By nurturing and supporting writers, we increase the health of the community.

Notes

Writers Room, Doylestown, PA founded by Foster Winans, is no longer in existence.
Philadelphia Writers Conference, held in June, is the oldest continuous writing conference in the United States.
Greater Lehigh Valley Writers Group holds an annual conference in the spring, meetings, workshops, readings, and other activities.

Let Your Memoir Take You to the Fourth Step

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by Jerry Waxler

The first Alcoholics Anonymous meeting I attended was held in the basement of a church. I sat in my car until the meeting was about to start and then slipped in, hoping no one would notice. It wasn’t my idea to be there. The professor of my addictions counseling class at Villanova had assigned us the task of attending.

The speaker told her story of descending into the pit of alcoholism, losing her marriage, home, and children, and finally selling her body. Thanks to the Twelve Steps, she had been able to pull herself together. When I left the meeting that night, in addition to a renewed appreciation for the havoc that can be wreaked by substances, I also had witnessed one of our culture’s great institutions, dedicated to helping people in desperate situations build up their self-esteem and life-skills.

While I am not addicted to substances, there have been many times in my life when I felt out of control, like my years struggling with loneliness and depression, or coming to terms with the barrage of news about war, divisive politics, poverty, and disease. While I have a variety of tools to help me cope, occasionally I wish there was a Twelve Step meeting to overcome everyday feelings of being out of control.

Although I have not found an actual Twelve Step program for ordinary situations, I do see analogs that could serve some of the same purposes. The method of self-help pervading all civilizations since the beginning of history is the quest for support from a Higher Power. There are lots of meetings that can help us seek that transcending connecction. Another powerful offering of the Twelve Step programs are slogans, such as “give me the courage to change what I can and accept what I can’t” and “one day at a time.” All of us could benefit from uplifting phrases, because the things you say to yourself affect how you feel.

Now, as I study memoir writing, I believe I have stumbled upon another connection with the Twelve Steps. The Fourth Step says, “We made a searching and fearless moral inventory of ourselves.” The goal of taking this inventory is to replace vague sorrows of “having messed up,” with more detailed information. It’s an important exercise for addicts who, in their pressure to obtain the next buzz, overrode their conscience more often than they would like to remember.

However, addicts do not hold a monopoly on regrets. Everyone bumps against things they wish they hadn’t done. As long as unpleasant memories remain tucked away, there is no way to learn from them. The Fourth Step suggests you pry them out of hiding. Once they’re in the open, you can work with them consciously, discover the details, find the implications, and then integrate the past into the complete picture of who you are and how you got here. This self-knowledge strengthens your ability to move more confidently into the present and future, and opens channels of compassion and connection with the people in your life.

The Twelve Step Programs started from inspired revelation, a seed planted by people desperate to find something more powerful than their addiction. In the following half a century, tens of thousands of people harvested the results of that inspiration. And as each generation learns, they arm themselves to help the next. To rescue their fallen comrades from the cauldron of addiction, perhaps one of the most selfish tendencies of human nature, these people have discovered within themselves one of the generous tendencies of human nature – the desire to help each other overcome challenges.

Memoir writers don’t belong to an elaborate step-by-step system of guidance and mutual support. When we take our moral inventory, we do it hunkered down alone at our desk. It sounds isolated. However, memoir writers turn towards another powerful resource. Our mentors are those writers who have gone before us, placing their lives on paper and leaving it for us in books. Reading memoir after memoir we witness the story, discovering lessons not just about the author’s lifetime but about their willingness to write it. Following their lead, we arrange and rearrange our own conglomeration of memories, until we too arrive at that system known as Story, a system as old as civilization itself.

When we tell about our history, when we hurt people or they hurt us, or resented, or misunderstood, or all the thousands of interactions we have with people, storytelling goes beyond initial emotions. We expand our thinking, and more clearly see all the characters in our lives, who they are and what the world looks like from their point of view.

Memoir writing is a powerful Step for anyone who wants to grow more resilient to face those things over which they have no control. As you write, you transform the past from a collection of memories into a path that goes from sin to redemption, from tragedy to grieving, from one step to the next step and the next. Stories are large enough to contain great mistakes and even evil, and their power goes beyond the individual. Through reading and writing, our stories intertwine, healing ourselves and our relationships, and leaving behind a map that can help others find their own way through the journey of life.

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Memoirs Start Last Night

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by Jerry Waxler

You start making memories every day. Last night for example, I went to a dramatic reading in Philadelphia. Jerry Perna’s play was dramatically read by himself and several actors, as part of a joint effort to provide actors with opportunities to express their craft.

The reading was being produced for a live video feed through the New Century television station, located in Newtown. My friend Mike Shoeman introduced me to the CEO of New Century, Ariel Schwartz. Instead of asking him for his story, I pitched my idea to publicize memoir writers. I would have preferred learning more about him, but I observed something about myself. When I had two minutes with the CEO of a television station my tendency was to talk about myself. That’s a good observation to file for further reference. Perhaps I’ll be able to use it in my memoir.

Speaking of memoirs, before the show I asked Jerry Perna how much of his play was based on his life. He said, “About 99.9%” Then watching the show, I saw what he meant. It treated issues of growing up in the sixties and his character’s relationship with his father. Afterward, I asked him if writing and performing it was therapeutic, and he said it was “more therapeutic than therapy.”

So what does going to a play have to do with writing memoirs? Here are a few ways that last night informs the project of writing about life:

* Life is a series of memories, starting from last night. That’s why people try to capture their memories in diaries or blogs (like this one). Or photo albums of birthdays and vacations. It’s all grist for the memoir mill. Lesson: Record memories.

* The play took place near the campus of the University of Pennsylvania. When I was in Central High School in Philadelphia, I did a research paper about the Pullman Rebellion. It turns out that the governor of Illinois called in the national guard to break up a strike against the Pullman Railroad. To research that school paper, I took the subway and trolley down to the hallowed grounds of the University of Pennsylvania to pour through the card catalog and go to find a dusty, precious book in the stacks. Now, every time I walk on that campus I remember powerful feelings evoked from the past. Lesson: Visit old haunts and write the memories .

Because I’m writing this blog entry, I’m reviewing a memory that happened as recently as last night. So I can apply memory writing techniques to find out more about it. Namely, I ask, “What was the emotional power in the scene? What did people want from me? What did I want, hope, and fear?” The event contained the possibilities for new beginnings, of a connection with the Philadelphia cultural scene, with several fellow writers I met, and with the people associated with New Century, Mike Shoeman, president of Life Act Coaching, Marta Reis, and Ariel Schwartz. Culture is a strange and powerful beast. It wants to give and share, and to do those things it needs to create community. Artists, writers, performers, and everyone associated with culture are hungry to develop community. Lesson: You can meet people who want to meet you when you offer something to their culture.

So where would this evening go in my memoir? Is it the culmination of a lifetime process, or the beginning of the rest of my life? Of course the answer is both. Lesson: Life keeps generating memories, and I can gather these memories together into a story.