by Jerry Waxler
I first met Sharon Gerdes around 2006 in Jonathan Maberry’s “Novel in Nine Months” class. My purpose in taking the class was to apply good story writing principles to my memoir, whereas Sharon wanted to write a novel. She confided in a confidential tone that the story about a woman who suffered from postpartum psychosis was based on her own experience.
“Why not write it as a memoir?” I asked.
“There’s a stigma about postpartum psychosis, and I’m not willing to go public about that experience.”
I tried to visualize how you could stay hidden when writing about such an intense experience. “Are you going to use your real name?” I asked.
“I’m still working on that. I’m not sure,” she said trailing off into uncertainty
I was fascinated by her desire to distance herself from the book and wondered if writing it as a novel would enable her to achieve the anonymity she desired. I was also curious about her journey to become a story writer. After her career as a journalist in the food industry, I figured that she, like so many of us who start writing stories in midlife, would struggle to find her voice.
Almost ten years later, the manuscript for Back in Six Weeks was ready, and I read it for the first time.
After the protagonist in the novel gives birth to her baby, she enters that visionary, agitated, disjointed state, called a psychotic break. The novel brought me straight into her disturbed mind, including the shame she felt, and the judgment heaped on her by others. Through the magical transport of a good story, I entered this impossibly vulnerable situation, in which the baby’s safety hangs in the balance with its mother’s sanity, and the mother’s sanity hangs in the balance of the social support being offered by some and withheld by many others.
I was delighted to discover that Back in Six Weeks was a page turner. Sharon had clearly mastered the craft of story writing. And she was authoring it under her own name. What happened to her anonymity? She explained that her courage had grown over the years as she became increasingly aware of the fact that her story could help other women. After years of writing the novel, she now openly shares her compassion for other women who undergo this experience.
Shame is a creepy emotion because of the way it perpetuates itself through silence. This is one of the reasons I love the Memoir Revolution. By writing our stories, we find a voice for our wounds, and can shine the healing light of social support on the dark places in our minds.
Despite the fact that Sharon Gerdes wrote a fictional account of her postpartum psychosis, she has experienced the same healing influence. By turning her experience into a novel, she has transformed the isolating experience of shame into the compassionate experience of helping readers. Writing about one’s life, whether in fiction or memoir, often has this subtle psychological benefit, making the author more comfortable in her own skin, or more accurately in her own story.
The Author Interview contains our interview.
Sharon Gerdes’ Home Page:
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