Posts Tagged ‘gender’

How Boys Become Men? (Hint: Memoirs Help)

Thursday, August 26th, 2010

by Jerry Waxler

Ed Husain, author of “The Islamist,” grew up in a Muslim community in England. As a young boy in the 1980s his greatest pleasure was following his father and learning to pray. In high school in the 90s, he fell in with a group of boys who said that prayer was for old people, and that the urgent mission of every Muslim should be to destroy western culture. These ideas appealed to Husain, and overriding his father’s objections, he joined the demonstrations and soon began organizing them.

Husain’s choices offended me. Couldn’t he see his father’s wisdom was deeper than his own? Wasn’t it obvious he was attacking the very government that gave him the freedom to protest in the first place? While I was criticizing Husain, I felt a tug from another direction. In the back of my mind, I remembered my own choices when I was his age.

My father was a pharmacist. After years of hearing him speak reverentially about doctors, I decided the best way to please him would be to become a doctor myself. When I entered college in 1965, I was well on my way. But the Vietnam war was ramping up and so were the protests. When I was 20 years old, I stood outside the Commerce Building in Madison, Wisconsin, dodging tear gas canisters. A thousand kids with red faces and tears streaming down our cheeks, snapped our arms in a Nazi salute and screamed “Sieg Heil” at the club-wielding police. I had crossed a threshold into an angry state of mind where fixing the world took priority over a mere detail like my future livelihood.

Even though Husain’s journey and mine were light-years apart in ideology, we had many things in common. Both of us thought our hot-headed ideas were based on a pure ideology that demanded anger and action. Looking at our ideas as a matched set, I see how similar they were in their rejection of our parents’ values in favor of a pressured, bold path suitable for young men.

Another thing we shared was a conscience too deeply developed to ignore the inevitable results of our  rhetoric. Husain lost his taste for divisive political action when he saw a student knifed to death in the name of religion. I lost my enthusiasm for demonstrations when I realized I could not riot my way to peace. And yet, it was too late to retreat to the innocence of childhood. We had to go forward, following the path we started. It took years of self-discovery before we were able to reclaim a sense of purpose.

After Ed Husain disengaged from his activist friends, he needed to learn the truth. He moved to the Middle East to learn Arabic and study the Koran in its original language. Eventually, he not only returned to the prayerful religion of his father but also gained a deep respect for the freedom and dignity afforded by western democracies.

My return to my father’s way of life took many turns. First I tried avoiding adulthood altogether by becoming a hippie. Then I became a piping engineer, helping design nuclear power plants. When that industry collapsed, I took a job in a foundry along with muscular men who poured molten brass into black sand molds. I drove a sports car, a red Camaro, and changed my own brakes and spark plugs. Tired of muscles and dirt, I became a computer programmer and technical writer. During the entire period, it never once occurred to me I was trying to figure out how to become a man. I just thought of myself as a person.

Toward the end of the foundry stage I decided that if I was ever going to find my way back to wholeness, I had to keep growing, so I began to read self-help books. For example, Stephen Covey’s “Seven Habits of Highly Effective People” urged me to consider my thoughts and actions. Like a driver of a car who realizes he is steering a deadly vehicle, these authors showed me that living well required careful attention. I read a hundred books and learned something about how to be a better person from each one. I wanted to talk to someone about all this information so I entered therapy. After half a dozen years of talk therapy, I had gained so much respect for that process that I went back to school to learn to become a psychotherapist myself.

In graduate school, I deepened my understanding of people, for example, going deeper into the way children develop into adults. I learned general helping skills like the art of attentive listening. And I learned specialties like career counseling. In one of my specialized classes, I learned about a skill called assertiveness which means standing up for yourself and demanding your rights. The women’s movement has to a large extent been focused on teaching women how to become more assertive. I knew the course would help me counsel women, but I never found a corresponding course that would help me understand issues faced specifically by men.

I began reading memoirs, and many mysteries and puzzles about human nature came to life on their pages. For example, when I was growing up, the protagonists of novels were almost always men. Memoirs now gave me the chance, for the first time, to see the world through the eyes of female protagonists. I realized memoirs were providing insights into topics that I had only glimpsed in my counseling classes.

The big surprise was how much I was learning about boys. The more I read about other boys growing up, the more I began to see that growing up male has challenges that I had never before tried to put into words. After reading about Ed Husain’s experience trying to overthrow all of Western civilization, and reflecting on my own rebellion, I took another look at boys.

Mark Salzman, in his memoir “Lost in Place,” became obsessed with learning karate. Both he, and another author Mathew Polly in “American Shaolin,” even went to China to study martial arts. In “Tattoos on the Heart,” Father Greg Boyle worked with gang members in Los Angeles, mostly male. He was helping them find alternatives to shooting each other. I always knew the violent streak in boys lands them in jail far more often than girls, but now memoirs were allowing me to enter into those experiences and feel them more intimately. I now saw what should have been obvious all along. We have too much assertiveness. We become so fired up about our rights we demand, we defend, and we fight.

Of course not all boys assert themselves violently. In “Publish this Book,” Stephen Markley’s anger sent him running not to the barricades but to the voting booth. In the memoir “Three Cups of Tea,” Greg Mortenson looked for his manhood by trying to conquer  the Himalayan mountains. In his memoir “Open,” tennis champion Andre Agassi fought against his father’s demands by being a bad boy, breaking rules like dress codes, wearing colored shorts on the tennis court instead of whites. In so many cases, I saw how hard boys work to figure out how to grow up.

When I was young, I stumbled and struggled on my path toward adulthood. Now decades later, comparing my life with the lives of boys in memoirs, I see a pattern that helps me make sense of my journey. My decisions early in life seem to a large extent to be based on trying to please my father. I’ll call that Stage One. In my late teens, I became impatient with Dad’s way. His guidance seemed to be slowing me down and I felt a sense of urgency to pass him in the fast lane. That was Stage Two, but as Stage Two progressed, I didn’t know where to stop. I rejected my father’s path so effectively I began to fall apart. Finally, I became frightened by my own rebellion and realized I didn’t know what I was doing. Around 25 years-old, I entered Stage Three, when I stopped rebelling and started pursuing a career. That was what I used to call “adult life” and thought there was nothing after it. Decades later, just when I thought I had run my course, I discovered there was a Stage Four. After my youthful anger had passed, I rediscovered my youthful idealism.

I originally wanted to be a doctor to please my father. He loved healers and I wanted to become one. Decades later, I am revisiting that desire to help others, replacing the original intention of healing physical disease with my lifelong desire for mental and emotional self-improvement. I want to help people learn about themselves and find their best path. And I’m not alone in my return to the idealism that lay at the foundation of my youthful rebellion.

When Ed Husain was young, he wanted to tell the world about his religion. It was a righteous instinct that required intense action. Later, when he discovered the roots of his faith, he realized there was a deeper obligation at the heart of his passion. His more mature intuition was that people needed to learn these things for themselves. He ran for elected office in the British government and tried to steer other Muslims towards the gentler, more inclusive roots of their religion. Based on his experience of being misled, he reached out to help others avoid similar mistakes. Then he wrote about his memoir to raise the alarm about the dangers of the fundamentalist movement that was insinuating itself into the minds of young men.

Other memoir writers followed similar trajectories of enlightenment and generosity. Mark Salzman wrote another memoir, “True Notebooks” about going into a prison and teaching boys to write. Greg Mortenson decided to stop fighting mountains and start building schools for poor children. Andre Agassi was not content with being a world famous tennis player. A high school dropout himself, he started a school for disadvantaged kids.

For most of my life I resisted the notion that men have different ways of looking at the world. I thought we were just people. Yet all along, I was behaving like other men, heaving myself against war, against career, against everything. But without the wisdom to reflect on my compulsions, I could never relieve the pressure. Now that I compare my journey with those portrayed by other men, I believe I could have achieved my deeper goals faster and with more wisdom by acknowledging that I happened to be a male.

I didn’t know all this back then, but I know it now thanks to reading and writing memoirs. Memoirs have given me the ability to step back and look at the forces that were being played out. For example, I see myself at 22 years-old raging at the world to stop fighting. The world sent in their own platoon of young men and they were better armed. Looking back, I see this head-on collision only fulfilled our need to rage but failed to achieve our goals. Now, as I look at the state of the world, I wonder how many young men are out there fighting to tear down some enemy’s world, or furious at some group or policy, and I wish I could help those boys see a different way. I imagine a world in which, instead of devoting their energy to tearing things down, they poured their idealistic passion into building solutions.

Perhaps writing stories will help. It certainly helped me. By writing my memoir, I now see the journey through those stages. Perhaps it could help fathers, who, by writing their story, could become more sensitive to the journeys of their sons. And it might help the boys, themselves. Erin Gruwell, the teacher in “Freedom Writers Diary,” and Mark Salzman in “True Notebooks” showed troubled kids how to write about their lives, and as they heard the words on each other’s pages, their own sense of social responsibility emerged as if by magic.

Memoirs are spreading the word that we are protagonists in our own drama, that we are all intertwined, that our actions matter. Perhaps memoir reading and writing could help boys find their authentic selves faster, and convince them to spend less time pushing and heaving against the world. World peace without the riots. I know one 20 year old boy who has finally grown old enough to understand this truth. Now I need to explain it to a few others.

Is it assertiveness or aggression? Neither it’s Thumos or Thymos!

What makes boys so willing to fight for what they think is “right?” I puzzled over this quality that drove me crazy when I was growing up. I don’t think “assertiveness” is the right word. Assertiveness indicates something more methodical and carefully planned. The impulse I’m trying to describe is more pressured, and instinctual and pervasive than that. It takes over a boy’s whole sense of direction. And I don’t think the word “aggression” fits either. The willingness to hurt others might be part of it. But this larger “boy’s instinct” is not just about a fight for a street corner. It’s more philosophical than that, as if boys have an instinct to understand their righteous place in the world.

I recently found a candidate for the right word in a book by psychiatrist Jonathan Shay. In Shay’s professional life, he treats Post Traumatic Stress Disorder in combat veterans. In his private life, he studies Greek classics. In Shay’s book, “Odysseus in America: Combat Trauma and the Trials of Homecoming” he points to the Greek quality called thumos (also spelled thymos). The Greeks harnessed this quality of righteous anger to train good warriors. Once I knew the word, I saw the quality everywhere. Consider the murderous fight between Tybalt and Mercutio in Shakespeare’s “Romeo and Juliet.” They were incensed by an insult from the “enemy” family.” Erin Gruwell, in “Freedom Writers Diary,” invited her students to compare Shakespeare’s deadly fight with their own Los Angeles gangs. Shay’s discussion of this Greek concept did not include advice for how to steer boys toward a more creative, socially productive outlet. For that, I will need more research. I think I will find the answer in memoirs, which are the repository of human truths of all kinds.

To learn more about the process of going from boy to man, I signed up for a Men’s group weekend offered by The Mankind Project,  If it sheds light on memoir writing or self-discovery, I will write more about it here.

Notes

Amazon page for “The Islamist

Link to an article I wrote about “The Islamist” and another memoir, Azar Nafisi’s “Reading Lolita in Tehran

Index to articles about memoirs on Memory Writers Network

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Stephen Markley Interview Part 6: Post-publication blues?

Wednesday, August 4th, 2010

by Jerry Waxler

Writers who aspire to publish a book are eager to reach the finish line. Then when they cross the line, that particular race is over but life goes on and presents new challenges. I asked Stephen Markley a few questions about how what changed after he published “Publish this Book.”

Does writing a memoir limit your life?

Jerry Waxler: Your writing teacher didn’t want you to publish this book because he warned you that your first book defines you, and he said the memoir “wasn’t you.” Is this another bit of satire? I’m not sure how a memoir wouldn’t be you?

Your writing teacher’s advice is probably not that far off from one of the common fears I’ve heard from many aspiring memoir writers. They are afraid that if they write their memoir, it would mean their life is over, as if at the end of the memoir they are supposed to put down pencils down the way you would during an exam, and everything after that is cheating.

So what do you think, now that you’ve published it? Was the writing teacher right? Did it lock you into a direction you didn’t want to go? Was it the end?

Stephen Markley: I certainly hope it’s not the end. Look, I want from my career what every writer wants: the ability to choose whatever project interests me regardless of commercial relevance. Whether this will ever happen remains to be seen. I certainly found it was easier to publish a non-fiction book, so I can’t disregard that, but I do want to write fiction and follow my other passions and let my intellectual curiosity take me where it will. What my professor feared was that I would be essentially trapped in this young-guy-snarks-on-the-world shtick without any way of returning to some of that darker literary territory that I was writing when we first met.

To a degree, that trap has been sprung and I am caught in it, but I’m not worried yet. “Publish This Book” is partly an advertisement for books to come: it’s saying to readers, “Hey, here’s what I did with a memoir. Any interest in other genres?” To the extent that I get people telling me that they look forward to reading a novel, I think it’s succeeding in some small way.

Basically, I’ve resigned myself to being a writer with a small following. I doubt I’ll ever have the mainstream success of some of those big-timers who can throw together a book based on a reliable script every year or so. It’s just not who I am, and writing the same book over and over again does not interest me.

Marketing the book

Jerry: Are you really running around to colleges the way you planned to do in the book?

Stephen: Well, I just quit my job at Cars.com and plan to spend the summer out and about on the east coast driving around doing bookstore signings. Then in the fall, I’m going to go full bore at colleges again. My reasoning is that if ever there was a time to be young and unemployed and a little stupid, this is it. I’ll stay with friends, drink a lot, and kiss a pretty girl or two. I doubt I’ll look back when I’m fifty and wonder what would have been if I’d stayed in my cubicle making a reliable $35k a year.

What’s next?

Jerry: What are you working on for your next project?

Stephen: What I’m working on now is either an unwieldy disaster that I will give up at some point or an inspired fictional experiment. I feel the same way about it now as I did when I was at roughly the same point in writing “Publish This Book”: I’m not at all sure if it’s going to work, but I’m having a hell of a lot of fun writing it. It’s about writing (again), but also about the current cultural and political epoch. I have a feeling almost everything I write for the rest of my life will in some way be about the past decade: the years 2001-2010 have just been too breathtaking in horrific and wonderful ways to not dedicate an entire branch of literature to them.

Mostly, I just want “Publish This Book” to sell enough copies and garner enough fans that I can write and publish for the rest of my life. It’s really rare to get an opportunity like this: to be young and single and unattached and constantly inspired and ferociously hungry. There aren’t enough hours in the day to get every idea I have onto paper. I sometimes blink and wonder if all this has actually happened for me. Only once, I spotted someone in public reading my book. It was on the Brown Line in Chicago, and I did a double-take when I saw the cover. I just wanted to walk up and hug her.

Notes

Visit Stephen Markley’s Home Page

To read my review of the book, click here.

More memoir writing resources

To see brief descriptions and links to all the essays on Memory Writers Network, click here.

To order my step-by-step how-to guide to write your memoir, click here.

To learn about my 200 page workbook about overcoming psychological blocks to writing, click here.

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Keep your memoir in touch with changing gender roles

Wednesday, April 16th, 2008

by Jerry Waxler

(You can listen to the podcast version by clicking the player control at the bottom of this post or download it from iTunes.)

After high school, instead of going to college Jancee Dunn looked for work. She got a job at Rolling Stone magazine, and became a celebrity interviewer. As I read her memoir, “But Enough About Me” it struck me that this book was completely different from the books I read when I was younger. For one thing practically all the books I read in high school and college were by men. I started reviewing books that influenced me at different periods of my life, and discovered remarkable patterns, both in myself and in the culture around me.

Sensitivity to current gender roles
In the 60′s, I knew a few things about feminist issues, but those issues took a backseat to my male-oriented questions. For example, would I end up fighting in Vietnam, and how in God’s name was I supposed to form a relationship with a girl when I was too shy to talk to her? Decades later, my relationship with women and feminism have evolved. In addition to outgrowing my bashfulness, I have come to expect women in leadership roles in every walk of life. Women are professionals and business people, warriors, politicians, and of course, writers.

Once I focus on these changes in gender roles, both in individuals and in the culture, I understand so much more about how to write to today’s audience. It turns out I have to toss away many of the lessons I learned while I was growing up. For decades, I’ve eliminated the obsolete “him” to refer to the “universal man.” That’s a given in our present culture. Now, looking more carefully, I see additional nuances that need to be adjusted.

Increasing sensitivity to the role of women as consumers
When people talk about movies now, it is common to hear some categorized as “chick flicks.” The publishing world has its own version of this called “chick lit” routinely mentioned at writing conferences by the editors and agents who decide what books are hot. Just a few years ago, I didn’t understand these terms. Now I would describe them as stories with greater emphasis on relationships, feminine success stories, and in general presenting the world through a feminine point of view. The culture has become sensitized to the variety of ways men and women are looking for information and entertainment. And this collective discussion has helped me tune in, too.

So how does this realization help a memoir writer?
As I make the journey from being a reader of books to a writer, this line of thinking offers me additional insights. I was already looking at my audience as a collection of cultures, and generations. Now I add genders to the mix. To learn more, I turn toward the memoirs I am reading.

In John Robison’s memoir “Look Me in the Eye” he reaches out to his mother later in life to try to sort out their memories. And Jancee Dunn in her memoir “But Enough About Me” portrays her respectful connection with her father. These comments about relationships to an opposite sex parent provide a glimpse into the way gender begins to affect us from the time of birth. The presence of our parents in a memoir can share these attitudes with readers.

Just as I am striving to catch up to the current feminine role, some women my age are trying to do the same. In a writing group, one woman fretted that her voice sounded too “personal.” I didn’t understand her concern. Since we were discussing her memoir, I assumed “personal” was exactly what she was trying to achieve. Then I realized she may be struggling with some of the same issues I am. During her education, she too read mostly male writers. Now, writing her memoir in the twenty first century, she needs to update her sensibility to the modern acceptance of a feminine literary voice.

Another memoir rich with this historical unfolding of the relationship between the sexes, “Navy Greenshirt: A Leader Made, Not Born” by Diane Diekman. The author enlisted in the Navy in 1972. When she started, it was a man’s world, by almost any definition. And yet she brought an attitude of relentless mutual respect, expecting to be treated with dignity and insisting on treating others the same way. Her focus on the high road broke barriers. By the time she left, she had advanced to the rank of Captain.

I was never a woman and I was never in the navy, and so all of my ideas about what such a career would have been like were formed from lurid headlines, snap generalizations, and simplistic assumptions. Reading Diekman’s memoir I traveled territory that was inaccessible in my own experience. Through the author’s eyes, I witnessed an honorable group of men and women, devoting their lives to serve their country, while at the same time doing their best to keep up to date with the evolving sexual mores of our times.

Kate Braestrup, author of the memoir “Here If You Need Me,” is a member of the State Game Wardens Service in Maine. Despite her bullet-proof, or more correctly “ballistic” vest, she doesn’t attend crime scenes to catch bad guys but as a chaplain, she brings her natural warmth to provide spiritual support. She did not claim that only a woman could do this job. In fact, the previous chaplain was a man who moved on to offer spiritual guidance to motorcycle gangs. So her effectiveness was not because of her gender, but in harmony with it. She let me feel how her femininity contributed to the pleasures and wholeness of being human.

When Jim McGarrah, author of the Vietnam war memoir “A Temporary Sort of Peace” told his dad he was joining the military, his dad tried to stop him. “All I thought when my father argued violently to keep me from enlisting was that he must be jealous because his war was over and I might win more medals in mine. I don’t think I ever considered he had learned through experience that the word man was just the back half of the more important word human, or that being a better human rather than a better man might be a loftier and more beneficial goal.”

McGarrah spent a lifetime recovering from his 1960′s teenage assertion of “manliness.” And as he struggled to regain wholeness, he was hampered not only by the backward drag of post-traumatic stress, but also by his attitude towards women. Overcoming his training that they were subservient was part of his psychological journey, and like Diekman, and for that matter all of us who lived and grew through these decades, his personal maturing of relationships between genders paralleled the culture’s.

As I research my own memoir, I too look across these decades and see how my understanding of the two genders during this period has deepened in step with the awareness of my culture. By exploring these evolving relationships I am treated to another profound truth. That is that memoir writing is not a static snapshot, but a moving story that sweeps across time, showing who we were, how we have grown, and how we continue to keep step with an evolving world.

Marketing prompt: To turn your writing from a journal for yourself to a written communication that will be enjoyed by readers today, ask who are they, and what will they get from your writing. Write a sketch of a typical reader. How old? What have they learned so far? Where are they heading next?

Writing prompt: Who are your favorite authors? Write about the different payoffs you get from the male versus female authors?

How will your gender affect your own story? How do you think key moments would be different if you were the other gender? (Use this insight to consider how each gender might respond to your story.)

Note: Gender in my life reading
If I read books by women agonizing over meaning, I don’t remember them. All my writers were men. Albert Camus, Jean-Paul Sartre, Samuel Beckett, Franz Kafka, Ferdinand Celine. Surely there were women authors who also agonized. They just didn’t come under my scrutiny. About 15 years ago, I read my first book by a feminist, “Revolution from Within: A Book of Self-Esteem” by Gloria Steinem, a book I found to be informative more about self-help than about being a particular gender.

One of the best books I have read about memoir writing is called Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives by literature professor Louise DeSalvo. She offers many important insights into how writing your story can change your life. While the book did not emphasize feminist perspectives, DeSalvo is a world expert. Earlier in her career, she made her name as a top scholar on Virginia Woolf, one of the first of the modern feminine writers.

Podcast version click the player control below:

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