http://memorywritersnetwork.com/blog 200 Essays and Interviews to Help You Read and Write Memoirs Fri, 03 Sep 2010 14:38:44 +0000 en hourly 1 http://wordpress.org/?v=3.0.1 2006-2007 jerrywaxler@yahoo.com (Jerry Waxler) jerrywaxler@yahoo.com (Jerry Waxler) Self-help 1440 http://memorywritersnetwork.com/blog/wp-content/plugins/podpress/images/LearnMemoirCoverFront-small.jpg http://memorywritersnetwork.com/blog 144 144 Reading and writing memoirs. Record the Stories of Your Life, tips, how-to, memoir book reviews, by Jerry Waxler memoir, writers, self-help, book-reviews, essays Jerry Waxler Jerry Waxler jerrywaxler@yahoo.com no no http://memorywritersnetwork.com/blog/serve-earns-fame/ http://memorywritersnetwork.com/blog/serve-earns-fame/#comments Mon, 01 Feb 2010 13:00:09 +0000 jerrywaxler http://memorywritersnetwork.com/blog/?p=702 http://memorywritersnetwork.com/blog/serve-earns-fame/feed/ 3 http://memorywritersnetwork.com/blog/joan-rivers-celebrity-memoir/ http://memorywritersnetwork.com/blog/joan-rivers-celebrity-memoir/#comments Wed, 01 Jul 2009 11:28:02 +0000 jerrywaxler http://memorywritersnetwork.com/blog/?p=537 http://memorywritersnetwork.com/blog/joan-rivers-celebrity-memoir/feed/ 0 8:49 By Jerry Waxler After learning so many lessons from Steve Martin's memoir "Born Standing Up," I wanted more, so I jumped in to Joan Rivers' memoir ... By Jerry Waxler After learning so many lessons from Steve Martin's memoir "Born Standing Up," I wanted more, so I jumped in to Joan Rivers' memoir "Enter Talking." Her path was remarkably similar to his. Year after year she too made a fool of herself in a desperate bid to please people, persisting through darkness, despair and frustration. What strange alignment of the stars caused these two comedians to suffer so we could laugh? (To see my essay about Steve Martin's journey click here.) While their tales may seem to apply only to the stratospheric world of big celebrity performers, both started as ordinary people. And so, I found lessons in both their journeys that helped me on my struggle to travel from no readers to as many as possible. Innovation makes publishers nervous One contradiction sits mysteriously at the center of both their journeys. On one hand, audiences and talent scouts want to be entertained by a fresh voice, and on the other hand, gatekeepers shy away from an act that is too different from the ones that are already making money. The road to success is littered with the dead acts and fatigued performers who have given up before making it through the gauntlet. And that's exactly what makes Rivers and Martin so interesting, so informative, and in the end so famous - their relentless pursuit of unique excellence and their refusal to follow the herd. By continuing to push, inch by painful inch, they made almost imperceptible progress, polishing their act, gaining allies, and after each disappointment learning a lesson that would help them do better next time. Their experience applies directly to memoir writers. Each memoir is its own thing. No one has ever done your particular life story before in your particular voice. But gatekeepers seek books that are similar to ones already on the bestseller list. How do you please them and stay true to yourself at the same time? These two memoirs offer insights into this seemingly impossible challenge. Different decade, different coast While the two memoirs bear remarkable similarities, they also have many differences. Steve Martin's home base was Los Angeles from which he traveled to college campuses and small clubs all over North America, coping with endless miles of loneliness. Rivers' home base was New York and her endless search was around town, begging agents' secretaries for a few minutes with the boss, begging for stints at night clubs, venturing out of town for gigs in the Catskills, and a stint at the Second City Improv in Chicago. Pacing of the memoir works like a thriller Despite her relentless efforts, for six years Joan Rivers only had scattered success in a few clubs and occasional tours. But the Holy Grail of national exposure on television eluded her. When Jack Paar invited her on to his influential television show, she thought she had arrived. Weirdly, after the show he told his producers not to invite her back, calling her a "liar." He didn't understand that her ironically exaggerated stories were jokes. Crushed, she returned to small clubs. After a few years, she was no longer a kid, and agents started to call her "old news," and said if she was going to succeed she would have already done so. Over and over she hit the wall of rejection. This heart breaking cycle continued for hundreds of pages, like in a thriller in which the smell of disaster encourages readers to move on to the next page. Finally, finally, at the very end of the book, her agent practically forced Johnny Carson's producers to accept her for a spot. From the moment she walked on to the set, Carson clicked with her humor. He laughed. He fed her lines. And he praised her on camera. The tension broke, and the next day her agent called to tell her she would not earn less than $300 a week for the rest of her life. In a surge of joy and accomplishment, Rivers shouted at the world "I was right." Satisfying Character Arc I found the almost abrupt end of the book to memoir, writers, self-help, book-reviews, essays Jerry Waxler no no http://memorywritersnetwork.com/blog/celebrity-fame-tenacity-writers/ http://memorywritersnetwork.com/blog/celebrity-fame-tenacity-writers/#comments Thu, 11 Jun 2009 11:06:27 +0000 jerrywaxler http://memorywritersnetwork.com/blog/?p=514 http://memorywritersnetwork.com/blog/celebrity-fame-tenacity-writers/feed/ 4 8:19 by Jerry Waxler I picture Steve Martin in dozens of situations. I've seen him tell jokes on talk shows, woo a woman in the movie "Roxanne," ... by Jerry Waxler I picture Steve Martin in dozens of situations. I've seen him tell jokes on talk shows, woo a woman in the movie "Roxanne," and anxiously fuss over his daughter in "Father of the Bride." The more I think about Steve Martin, the more I remember him. It feels like we have been hanging out together for years. So when I heard about his memoir, "Born Standing Up," I should have jumped for joy. But instead, my impulse was to run away. One reason for this aversion is that I prefer the lives of "ordinary" people. Another reason is that I've been burned. Years ago I purchased a memoir by Ruth Gordon, an actress whose performances enchanted me in movies like "Harold and Maude." I looked forward to reading more about her, but the prose was so boring, the situations so leaden, I actually returned the book for a refund. From that experience I formed the prejudice that celebrity memoirs are on the shelf because the author is famous, not because the book is good. My conclusion was based on a sample size of one, hardly an impressive scientific test. Furthermore, famous people exert enormous power in our culture, and unless I break down and read their memoirs, I'm going to remain ignorant about them. So when an online friend suggested that Steve Martin's "Born Standing Up" was authentic and introspective I decided to give it a try. It turned out to be an excellent book about a boy's climb from ordinary childhood to international fame. Desire, Effort, Sacrifice When Martin was a child, he looked at the stage and knew he wanted to be on it. At first he thought he could achieve success by performing magic acts. Later he incorporated comedy into his routine and then banjo playing. Basically, he didn't care what he did, as long as he performed. Of course, reaching the stage was only the beginning. To be invited back, he had to learn how to please audiences. It was a long journey. Writing Prompt Consider your own life achievements. What sacrifices and hardships did you make in order to achieve some greatly desired goals? Writers want to reach the public, too Most writers think they will be finished when they type the last word. They seldom anticipate the public leg of their journey. And yet, to succeed we must reach out to readers. Many memoir writers are interviewed on radio, speak at meetings, and greet people at book signings. People want to learn more about us. So we writers need to face audiences gladly, learn to please them, and damp down our sensitivity to the weird mix of scrutiny, criticism, and indifference. Hardly any of us will become famous in the way Steve Martin is, and yet his memoir provides insight into our situation. Like so many successful artists and performers, Steve Martin claims his fame had more to do with persistence than talent. He relentlessly pursued public attention, and refused to accept defeat. Week after week, he found an open microphone or a low paying gig, stood in front of the crowd, failed miserably, tried to learn from his experience, and did it again. Famous writers often tell similar stories. Stephen King persisted despite many rejections, and I'm beginning to believe that willingness to reach for the public is indeed the entry fee. Martin sought fame as if his life depended on it. It makes a good story. His desire established the momentum. We accompany him through those years as he tried to fulfill that desire despite seemingly impossible odds. As writers, we need to develop this dramatic tension in the stories we write. And to succeed, we also need to follow the dramatic tension in real life. By following our desire, we make choices and take chances that lead us further towards our dream of communicating with readers. Writing prompt What tenacious drive did you follow? Making babies.. your career.. your art or sport? Write a scene of rejection or failure, and show how you picked up and kept going. Even spectacular success becomes just another chapter in a long life Celebrity, Courage to Write Jerry Waxler no no