Archive for the ‘Writer's Motivation’ Category

Be Here Now by Writing a Memoir

Sunday, August 10th, 2008

by Jerry Waxler

When I first heard the phrase “Be Here Now” in the early seventies, it was from the title of a book by Ram Dass. According to the book, the best way to live a full life is to savor your direct experience, whether smelling a flower, watching a sunset, or even when experiencing the sadness of a loss. By paying close attention, you can penetrate the mysteries of the cosmos. As a hippie, I had little interest in learning from the past. And I certainly wasn’t spending much time planning for the future. So I didn’t think Ram Dass was telling me anything new.

Then I went to work for a living and staggered under the pressure. No wonder I had avoided working for so long. This was hard! I looked for tools to help me regain my poise and one of the most powerful turned out to be the one I didn’t think I needed — To Be Here Now. I started to meditate, and with practice I did occasionally spot glimpses of peace right there in the office. I was grateful to take advantage of this ancient technique from the East. But the mystics never said success was easy. It may take a life time to get it right. Meanwhile, I continued to look for additional ways to make each moment better.

One evening I complained to my therapist about feeling anxious. She said I would feel better if I brought my attention back to the moment, and she taught me a trick. Use words to describe my immediate surroundings. She said this verbal exercise would stimulate the cerebral cortex and put my conscious mind back in control. I looked around her office and noted her diploma hanging on the wall, her desk piled with papers, and her compassionate face. Her dog lying on his side slapped his tail against the floor. Sure enough, describing the office calmed me then, and when I see it now in my mind’s eye I feel reassured once again.

Despite all the valid reasons for staying in the present, however, the past plays an important role. I don’t want to forget the achievements that still give me pride, and I certainly don’t want to brush away the hard-won lessons that continue to help me find my way today.

The problem is not that memories exist but that there are so many of them, pulling me in a thousand directions. The more years I try to ignore them, the more confusing they become. As I grow older and watch some of the graces of my body fade, rather than wanting to let the memories go, I want to make sense of them.

I line my memories in order on a piece of paper and begin to notice sequences that make sense. Step by step, I increase my understanding of who I was, who I am, and who I am trying to become. Once I see myself taking shape on the page, I realize my life is turning into a story. I already know about the power of stories. Every time I read a suspenseful book or watch a movie, my attention is collected within the author’s tale. I am “Being Here Now” inside their story.

I gain that same benefit for my own life by writing about it. Writing reveals my role. I’m the hero in this story, and as the main character, I create an inner continuity that allows the past to flow into the present. Looking at the past isn’t an escape, after all. On the contrary, organizing my life into a story helps me collect my energy and apply myself with conviction to living in the world today.

Note
The “Be Here Now” philosophy was expressed beautifully in William Blake’s poem “Auguries of Innocence” which starts out with the following quote. “To see a world in a grain of sand, And a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.” The poem is famous for its implication that all of eternity is within grasp in the moment. When reading the rest of the poem for the first time, I made the remarkable discovery that it is mostly about animal rights. It’s as if he has revealed how the Eastern notion of souls can help Westerners find a new relationship with their world, replacing domination with harmony. Within the moment lies eternity, and within the compassion for a horse lies the ocean of God’s love. Who is this man Blake, and why is he so intrigued by the souls of animals and the human responsibility to care for them? He passed along the insights he had 200 years ago. Which Now is real?

Since it’s in the public domain, I’ll copy it here in its entirety:

Auguries of Innocence
by William Blake

To see a world in a grain of sand,
And a heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour.

A robin redbreast in a cage
Puts all heaven in a rage.

A dove-house fill'd with doves and pigeons
Shudders hell thro' all its regions.
A dog starv'd at his master's gate
Predicts the ruin of the state.

A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.

A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipt and arm'd for fight
Does the rising sun affright.

Every wolf's and lion's howl
Raises from hell a human soul.

The wild deer, wand'ring here and there,
Keeps the human soul from care.
The lamb misus'd breeds public strife,
And yet forgives the butcher's knife.

The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.

He who shall hurt the little wren
Shall never be belov'd by men.
He who the ox to wrath has mov'd
Shall never be by woman lov'd.

The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.

The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the last judgement draweth nigh.

He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them and thou wilt grow fat.

The gnat that sings his summer's song
Poison gets from slander's tongue.
The poison of the snake and newt
Is the sweat of envy's foot.

The poison of the honey bee
Is the artist's jealousy.

The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.

It is right it should be so;
Man was made for joy and woe;
And when this we rightly know,
Thro' the world we safely go.

Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.

The babe is more than swaddling bands;
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;

This is caught by females bright,
And return'd to its own delight.
The bleat, the bark, bellow, and roar,
Are waves that beat on heaven's shore.

The babe that weeps the rod beneath
Writes revenge in realms of death.
The beggar's rags, fluttering in air,
Does to rags the heavens tear.

The soldier, arm'd with sword and gun,
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.

One mite wrung from the lab'rer's hands
Shall buy and sell the miser's lands;
Or, if protected from on high,
Does that whole nation sell and buy.

He who mocks the infant's faith
Shall be mock'd in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.

He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.

The questioner, who sits so sly,
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.

The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.

When gold and gems adorn the plow,
To peaceful arts shall envy bow.
A riddle, or the cricket's cry,
Is to doubt a fit reply.

The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.

If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.

The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding-sheet.

The winner's shout, the loser's curse,
Dance before dead England's hearse.

Every night and every morn
Some to misery are born,
Every morn and every night
Some are born to sweet delight.

Some are born to sweet delight,
Some are born to endless night.

We are led to believe a lie
When we see not thro' the eye,
Which was born in a night to perish in a night,
When the soul slept in beams of light.

God appears, and God is light,
To those poor souls who dwell in night;
But does a human form display
To those who dwell in realms of day.

(Note: The current versions of this essay is a rewrite of the one I first published December 3, 2007.)

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Story extends my optimism to infinity

Saturday, February 9th, 2008

By Jerry Waxler

When I was 20, I fought desperately against my future. I refused to become an adult until I understood why I should. Looking back years later, I see my rebellion against the future was a big mistake that caused me and my parents much suffering. I eventually made it through that period, having learned many lessons. The one I treasure most is that my impression of the future profoundly affects my energy in the present. As a result, I have cultivated a habit of optimism, always looking for the good that is coming my way.

That optimism is being put to the test, now that I’m sixty, and I’m looking down the line at what looks like the downward slide at the end of my journey. To maintain my enthusiasm today, I need a more positive image of where I’m going, but it looks so uninviting. Fortunately, over the years, I have amassed an enormous amount of life experience. So to find out more about how to improve my fantasy of the future, I go back to the beginning and learn how my impressions of the future shaped my life.

What I thought the future would be like
As a child, I watched nice families like Ozzie and Harriet on television. The kids had adventures and learned lessons, while the parents stood by to guide them. As near as I could tell, once you grew up the party was over. By the time I was ready to become an adult, I believed life’s journey would look like this: Grow up, get a job, raise a family, grow old and die. After growing up, the rest looked flat, boring, and uninviting.

Chart of expected life

Heaven and hell didn’t help
The ideas of Judaism that I learned in my own home, and Christianity that I gleaned in the broader culture confirmed my worst fears. According to some renditions, after death, I could go nowhere, or to heaven or hell. In any of these options, my soul would continue without further challenge until the end of time.

Heaven forever

Secular learning didn’t improve my view of the future
I thought surely, within the vast universe of knowledge, there must be some compelling reason for living. So I poured myself into a broad search of science, math, history, politics, and philosophy. I found many interesting perspectives in each of these fields, but they gave me no path to work towards, nor any reason to strive in the human drama. In fact, nihilism injected darkness into my heart that poisoned my momentum even more.

Unable to find an impression of the future that appealed to me, and feeling disconnected from society I began to unravel. Protests against the world turned inward against myself and against life. I stopped eating. I was barely able to move, work, or socialize.

Eastern views added nuances to the future
My confusion about the future was tearing me apart. Thanks to a variety of compromises and insights, inch by inch, I came back to life. One perspective that motivated me was the Eastern philosophy that after each death, there would be another birth, with more challenges, opportunities, hopes, and dreams.

Eastern view of life and death

This chart seemed infinitely richer than the one I previously visualized. I loved the idea that even when I can’t see immediate results, my actions today will cause repercussions tomorrow. These beliefs helped me dispel despair, and expanded my vision beyond the tiny fraction of life in front of me. But it left many questions about how to make the most of my time on earth.

Instead of seeking absolute meaning I began to connect with people
As I regained momentum, got a job, and formed relationships, I realized that my zealous pursuit of Knowledge had blinded me to the people in my life. Once I loosened my obsessive grip on ideas, I became aware of the enormous satisfaction I felt with my friends, family, coworkers, and community. Social connections made me feel more balanced and more at peace with myself and the world.

My life path was not so boring as I had anticipated
By the time I was 35, I had achieved a stable lifestyle, with a job, a committed relationship, and day-to-day comfort and purpose. This stability, which I had fought so hard against when I was younger, became a blessed victory. While the future still looked flat, those first 35 years were far more complex than I had originally expected. I had made false starts, was distracted by illusions, addictions, and dreams that just didn’t work out. With diligence and assistance, I reached upward, out of these valleys and fulfilled my potential.

More interesting than I thought

Lifelong growing
When I was 50, I returned to Villanova University for a Master’s degree in counseling psychology. My education loaded me with insights into how to help people grow, and my understanding of the human condition became deeper. It occurred to me that the journey of adulthood had now turned upwards, and that by striving, I was not only helping other people grow. I was continuing to grow, myself. This added another feature to my increasingly interesting chart.

Still growing after all these years

What draws me to the next step?
Now I’m sixty, an age traditionally associated with the end of adult responsibilities, and I fear the downhill slide. And so, my enthusiasm is undermined by my old bugaboo: fear of the future. I am tempted to follow poet Dylan Thomas’ urging to rage against the dying of the light. But that risks repeating the mistake of my youth, angrily fighting with the future rather than embracing it.

How telling the story of my life exposes wisdom about my path
A few years ago, I began to write a memoir. On the surface, such a goal may seem to be a frill, a bauble, a celebration of the past. But the more I search for the organizing principle that will make my life worth telling, the more wisdom I discover in the act of storytelling.

I discovered there are two sides to every story, the inside and the outside. Looking from the outside, I see homes, families, and cars. People go to work, vacation, or the movies. But at the heart of the story, there is a character whose desires drive the story forward, while the obstacles help the character grow. At first, the inner story seems invisible to an outside observer, in fact it propels the story forward and keeps it interesting.

Focus on the inner story expands my vision of the future
Inside my character, I feel curiosity and energy. I am compassionate and want to serve others. I notice this tendency in other people, watching many people, including my parents, develop along these lines into their seventies, eighties, and beyond.

My grandmother often claimed she felt young. I never understood how this was possible considering her slower walk and older skin. Now I am experiencing this strange phenomenon myself. I look in people’s eyes and see a glimpse of something timeless in them too. As I chart my life, I realize it is the inner story that continues to grow.

The inner story continues to grow at any age
To find a wellspring of energy today, I consider the shape of my story over the last sixty years. Through the years, I kept thinking the future might be boring, and year after year, I was proven wrong. The character in my story continued to evolve, to gain insights, to become more nuanced. Then I look at other people, at the whole person, their eyes, their hopes, and I read or listen to their stories. By focusing on the inner story, I see them grow. My understanding of the inner story has expanded my vision of the future.

Extending my optimism towards infinity
I have heard many beliefs about what happens after death, from a welcome by angels, to reunions with family, the wise guides who will lead me farther, and even a coaching session to prepare for the next birth. I don’t know which of these ideas are true. But that’s okay. With each passing year, I watch my inner story growing, and with just a well-practiced slip of my optimistic pencil, I can let my chart of the future extend upward, right off the edge of the paper. This visualization of the future gives me the basis for an invigorating, hopeful, and more satisfying life today.

Beyond the visible

Is it narcissistic to write your memoir?

Tuesday, October 2nd, 2007

by Jerry Waxler

(This blog is also available as an audio file. See the Podcast player control at the end of this post.)

A woman in my workshop wondered if it’s narcissistic to write a memoir. I take such objections seriously, because they can drain away enthusiasm from this project. To help anticipate and refute these objections, I’ve compiled a list of some of the top reasons people have proposed for not writing a memoir and offered suggestions on how to bust through each one.

But before you invest too much time in refuting any specific reason, step back and consider the way you achieve any goal. Take for example going on a vacation. The suitcase is too small, traffic clogs the road to the airport, and the flight is delayed. But you don’t turn back. You keep going. The obstacles are part of the journey, and in a sense are steps along the way. You are determined to reach your destination and after you push through obstacles, you reach the beach. Writing a memoir is the same thing. You want it, you overcome the obstacles, and you reach your goal.

If you feel mired in objections, switch your perspective. Instead of feeling like a victim of objections, become a strategist, turning your intelligence towards defeating doubts. Like a martial artist, turn doubt against itself. Doubt your doubt. Think skeptically about what it claims. Punch holes in it and watch its energy deflate. So now, with a critical eye, the reasons why some people worry that writing memoirs is self involved.

Is it because thinking about yourself is bad? Such a restriction would stop you from more than just writing your memoir. Without self-awareness you would be stuck. Understanding yourself is a generous act that can help you become a kinder person, more willing to serve others, less angry, more harmonious. By reducing the grip of regrets, and other self-involved emotions from the past, you become lifted out of your own worries, and as a result more caring toward others.

Perhaps you fear that it’s wrong and shameful to expect other people to read your story. I suppose at first glance that might seem self-involved… unless it’s a well-told story that gives the reader pleasure or simply offers them another slant of the human condition. You’re giving them a gift, and so, it would be selfish to withhold it.

To find out more about this concern of memoirs and narcissism, I turned to an article from the wonderful collection of essays in Slate Magazine’s Memoir Week. In this collection, there is a history of memoir bashing by Ben Yagoda. The article makes the claim that the spate of memoirs proves we’re becoming more narcissistic. To back up the claim, Yagoda includes impressive sounding quotes by famous writers. But just because a bunch of people express strong opinions doesn’t make their opinions right. I think their case falls apart when you look behind the curtain and see what they are doing. These writers are standing on their public platform complaining that other people want a share of the platform. Apparently they would prefer you pay attention only to them, or to people they deem worthy. Perhaps they sincerely believe the world will be a better place if we only allow the elite to speak to us. But that seems so out of step with our times. Haven’t we evolved beyond this point of view?

In the 19th century, the masses “knew their place” at the bottom of the pile, waiting for truths to come from pundits. In the 20th century, we became a faceless mob, drowning in logos, and slogans, fodder for marketers who wanted to know us only by our demographic categories so they could sell us stuff. Ironically, when my generation was growing up, we all decided to express our individuality the same way, by wearing blue jeans. The marketers had a field day. Rather than breaking out of the mold, we created a new one. I think many of us are ready to move beyond the authoritarian model of the 19th century, and the anonymous masses of the 20th century. In the 21st century, we want to share ourselves freely with others who have exuberant passion for life in all its diversity.

Out of the demographics of the billions are arising energetic and generous people who break through the wall of sameness and tell others about their individual history, a story that has evolved through the years of their lives, and that represents a life they have actually lived. Through blogging and memoirs, writers share the story of themselves and in turn want to know the stories of each other.

Each of us is an individual. We can’t get around that fact. We’re stuck with it. The challenge is not to become less of an individual but to become more caring about the other individuals on the planet. So we stretch beyond ourselves. To become a more generous, socially responsible, kind, respectful person we strive for a deeper understanding of what it’s like to be those other selves.

A wonderful way to break down the walls that keep us apart is to read someone else’s memoir. And a great way to jump into the ocean of humanity is to tell your own story. By telling your story, you participate in a world of mutual respect, giving voice to your own individuality and in the process expanding the vision and compassion of those who want to learn about you. Telling your story will help the world stay balanced and sane. So if you’re wondering if your story is worth telling, don’t worry about those people who don’t want to hear it. Reach out to the people who do.

If you’re interested in more of Ben Yagoda’s articles, books, and an amazingly rich literary link page, see his website at the University of Delaware.

(Note: This is a complete rewrite of an earlier post on this topic.)

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10 ways memoir writing helps you now

Friday, September 21st, 2007

by Jerry Waxler

Many people are unsure about writing their memoir because they think all those memories will pull them into the past. It’s true that writing about memories is like digging down into a deep old pile, but there’s no need to get lost in it. The goal is to bring back the treasures. There are valuable lessons, achievements, and pleasures in there but you can’t access them because they are buried under a multitude of experiences. To gather their value, tell the story. To promote the legacy you can take advantage of yourself, I’ve compiled a list of 10 ways writing your memoir will help you now and in the future.

  1. Develops writing skill that come in handy for all sorts of other communication applications, like writing letters or newsletter articles.
  2. By organizing your life into stories, people get to know you faster, and often more intimately than through the usual chatter of everyday encounters.
  3. Writing is a powerful brain toning exercise that will keep you keen and energized.
  4. By reviewing the past, you notice things that happen over and over. Once you see such patterns, you can learn how you contribute to them, and find ways to improve next time. This benefit is available at any age, even if you think you are finished growing.
  5. Memoir writing helps you rework the past, making better sense of things that pull you back, or things that confuse you that never made sense. This helps you feel better in the present.
  6. You can glean stories from your life, and apply them to fictional stories you create about characters in worlds of your choosing. Telling stories is one of the pleasures of a creative life.
  7. You can often gain insights into your siblings and other relatives, creating a richer, more compassionate experience with the people who share your genes and childhood.
  8. Reap rewards from your life the way a farmer harvests crops. By becoming more conscious of accomplishments and victories, you boost your confidence about who you are and where you’re going.
  9. One reason people seem to fade with age is that they lose touch with their past. Writing maintains links between past and present, giving you confidence to see yourself as an effective actor in the world, even though many of those actions happened years ago.
  10. By seeing life as a story, you build the skills to tell a sensible story of the future. Generating a story of the future is a powerful motivational and planning tool that helps you continue to move forward with energy.

Memoir reclaims fading memories

Friday, September 14th, 2007

by Jerry Waxler

I’ve been misplacing my car keys for years, but lately I’ve been noticing a more disturbing problem. I keep forgetting where I put my life. I have to think before I remember where a past event fits into the scheme of time. And I’m not alone. Most people older than, say, 50 have to struggle to remember all their vacations, jobs, homes, kids, hobbies, illnesses, friendships. After decades there is just too much information to keep straight. On the surface, that doesn’t seem like a big deal. Who cares if I forget when I started singing in a choir, or how many times I saw Close Encounters, or if I can only remember glimpses of the summer I spent in Europe during college? Perhaps I ought to just accept a disappearing past. But I think it’s a worse problem than it first appears. So much of who I am is built from the story of how I got here, and losing the story makes me feel like I’m losing me.

I don’t remember when I first noticed my memory was getting tangled, but I do remember being surprised by it. I didn’t see it coming. I never heard my parents or grandparents complain about feeling confused by too many memories. I’ve never seen it pointed out on television, movies, or the hundreds of self-help books I’ve read. It’s an invisible problem, or at least it was until I noticed. Now, I see how hard it is for anyone over 50 to maintain an organized understanding of their journey. The more I think about the problem, the more it makes sense. The past fades because we let it. When I was young, I didn’t ask my parents about the old days. Since they never talked about their past, they forgot it. And the cycle continues. As I grow older, no one asks me about my past, and now I’m forgetting, too.

It looks like post-modern philosophers like Jacques Derrida are right, that our identity is becoming lost in modern times. But unlike other ills, I believe we can fix this one without waiting for a social upheaval or the discovery of some new medication. We can reclaim our lives by writing about them. Writing lets us revitalize our sense of who we are and how we got here. However, few of us have been trained to write our story, and so we may not believe we can take advantage of the benefits of life story writing. But once you get started, you’ll find it’s really not that hard. As soon as you look, you’ll discover memories, piles of them, like the pieces of a huge jigsaw puzzle spilled out in a heap. For most of our lives, we’ve picked up a piece of the puzzle, noticed where it fits, and then tossed it back in the pile! Of course we’re confused.

The key is to snap them into place, and you can do that very simply by writing them along a timeline. Writing anything helps you remember it. This is true with phone numbers and to-do lists. And it’s true for your life story. It seems so obvious and yet it’s a revelation for most people. When you line up the events in order, the sequence starts taking shape.

That’s just the skeleton. Now add flesh. As you review your list of events, watch for ones that jump out. Check to be sure you are comfortable going deeper. If so, jump in. While you’re in the scene, look around. Touch a wall or a table, describe hair styles, dreams, fears, or anything else that you experience while inside the scene. Write it all down. What do the characters say? Were they sitting or standing? What do you smell? Through this window, you begin to make more sense of what happened. In fact, it’s almost magical. You not only regain the memory. You go deeper, revealing more now than you knew when you first went through it.

Some people fear that if they delve too deeply into their memories they might get pulled back into the past. But I’ve found the opposite to be true. As I learn to tell my own story, I have become more curious about the people around me. Rather than pushing me into the past, my life story yanks me into the present with a renewed passion to learn the longings, the patterns, and the relationships that transform this sequence of events into the never ending drama of life.

Money is a good reason to write a memoir

Thursday, September 6th, 2007

by Jerry Waxler

Money motivates us to achieve remarkable things. We go to work whether we feel like it or not, accepting the alarm clock, traffic, and other rigors of the working life in exchange for pay. When we come home at the end of the day, motivations shift dramatically. We do what we must for home and family, and when we’re ready to relax, we can follow our whims. We can watch television, play with the computer, or read a book. Occasionally, we desire to harness our creative force and achieve a more sophisticated goal, like writing a memoir. To write a memoir, you must hone writing and editing skills, peer into the hazy and sometimes uncomfortable past, organize your material and try to craft it into a story. You could do it as much or as little as you choose. It sounds so free and easy. And that’s the problem. Without boss or deadline, why write when you could watch television?

Freedom is one of the most difficult challenges an aspiring memoir writer can face. If you don’t have good reasons to stay focused on the work, there are many other pastimes that will seem more attractive. So to write your memoir, keep your passion burning. When you wonder if it’s worth it, review your list of payoffs: creative ones like the pleasure of crafting your story; psychological ones like hoping to put old demons to rest; and social ones like giving a gift to your kids or reaching out to strangers.

There is one more reason that might occur to you. “Perhaps I can publish it and make money.” Money could help pay for a vacation, or add to your retirement fund. Writing for money could launch a new career, or help you advance in your existing one. If you hit the publishing lottery, it could change your lifestyle. The desire for money leads to rewards beyond the purely pragmatic. Money is a symbol of approval. When people buy your work, you feel validated and accepted. As you imagine a broader audience, your writing expands, changing what had once been a personal memory into an interesting and accessible story.

And yet, as robust as this motivation at first seems, it can be undermined by doubts. “Will I really make money from a memoir? Is my story big enough? I’m not famous. I’ve never been published. Who would want to read this stuff?” The conversations you have with yourself on this subject, like any internal debate that pits motivations against doubts, will help determine how much energy you are willing to invest in your writing project.

Most successful writers agree that it takes time to develop the publishing credentials, the writing skills, and find the markets that will earn enough money to make a difference. So while you work towards a longterm goal, you probably won’t be living on the income.  In fact, there is no way to guarantee whether you will ever make money. If you’re looking at the odds, one thing is certain. If you don’t try you will fail, and conversely the harder you work, the higher the odds.

Fortunately, you don’t need to rely just on the prospect of future benefits. Once you do actually try, something magical begins to happen. You find the process of writing is in itself pleasurable and satisfying. When I write I always feel better after, than before. That turns into a good motivation to keep going. Writing engages your mind and makes you feel sharper. Your writing skills improve, contributing to better speed and quality that you can apply in other writing projects. The subtle rewards of doing the daily work becomes one of the most satisfying payoffs of all. Now in your sense of purpose, you feel a rhythm between the fantasy of future payoffs and the subtle pleasures of immediate ones.

To fortify your resolve through a variety of moods, pay attention as you gradually reconcile emotions from your past that you thought were hopeless, or as you deepen your relationship with siblings, or feel more whole and alive, or any of a thousand other side effects of memoir writing. Before you started writing, you may have heard about these benefits, but you only actually feel them for yourself once you get started. And if money gets you started and keeps you going then your desire for money is already paying dividends.

Ten reasons you’re not too old to write your memoir

Monday, August 27th, 2007

by Jerry Waxler

Of all the reasons people give for not writing their memoirs, two I find most amusing are that “I’m too old” and “I’m too young.” If you find yourself squeezed between the wrong ages to write your memoirs, here are some reasons to help you refute the “I’m too old” one. In another blog, I’ll offer reasons why you’re not too young. Ultimately, the best time is right now.

1) If you fear it’s too late to learn how to write, flip this reason upside down. Learning how to write is an excellent reason for writing your memoir. If you start today, by tomorrow you’ll know more.

2) There’s no upper limit. If you can think, you can write. If your fingers don’t work or you can’t see, you can use voice technology. Author Harry Bernstein wrote his memoir, The Invisible Wall when he was 93.

3) Writing about yourself breaks down the walls between people. Readers feel they know you, and open up more quickly, increasing the energy of your social network.

4) No matter what your age, you can gain peace and deeper insights about your life by understanding how events in earlier years affected you later.

5) You might assume younger people are not particularly interested in you because you’re out of step with the times. Flip this reason upside down. The long reach of your memory is potentially the most interesting thing about you. You’ve seen more, and seen it in different contexts. Offering your memories helps younger people gain a better understanding of their own world.

6) You might think no one will read your work because you’re not young and glamorous. But the value we seek from books works on other dimensions than the smoothness of the author’s skin. In fact, your wrinkles might even become a credential, proving you have the years of experience to speak with authority.

7) Writing is good for your brain and will help you stay mentally supple and vigorous.

8) Once you start looking into your memories, you’ll find your accomplishments tucked away in forgotten corners. Remembering them will help you appreciate what you’ve done and who you are.

9) Telling the story gives you a sense that life is a story. This helps you craft a more interesting story of the future.

10) By writing a memoir, you improve your ability to write all sorts of material, notes, letters, essays, articles in newsletters, blogs. You can use your enhanced writing skills to share yourself with others expanding your interaction with the world, and continuing the social graces, pleasures, and gifts of being a human being.

It’s a wonderful life for every memoir writer

Wednesday, August 8th, 2007

By Jerry Waxler

Every year millions of people watch the movie “It’s a wonderful life” in which Jimmy Stewart’s guardian angel stops him from killing himself by showing him how his life has made a difference in people’s lives. Once he sees the bigger picture, he regains confidence and charges back into the fray. Why has this movie become an annual ritual for so many people? Of course, we love to see the hero overcome obstacles and save the town from the greedy landlord. But I think we are attracted to this movie for a much deeper reason. The fear that crept into Stewart’s mind, that his life was not worthwhile, could overtake any of us.

If we lose our sense of making a difference, we too start to lose our way, not necessarily contemplating suicide, but questions creep up. “If no one cares what I do, what’s the point?” So while for most of us, our situation is not as dramatic as Stewart’s, we can still empathize with his plight, as well as empathize with his need for deeper meaning. We would all benefit from finding that sense of engagement.

Fortunately, the movie is not about changing the past. The actions that restored Stewart’s faith took place years ago. The angel simply gave Stewart the gift of sight so he could see how these actions helped. I think this is what keeps us coming back to the movie year after year – the hope to see that we made a difference.

So while we’re waiting for our own angel, what can we do to find meaning in our lives? Try writing a memoir. Writing is the way we remind ourselves of all sorts of things. Take for example a shopping list. When I realize I need something at the store, the thought seems so real, so obvious, so compelling. But if I don’t write it on a list, that idea turns out to have been fleeting. I’ll stand at the store surrounded by thousands of items, but the one I wanted a few days before now simply blends in.

It’s the same thing with memories. As they occur, they seem so vivid. By writing them, I gradually compile a list of times I was able to help people. The efforts I made at work kept not only my own paycheck coming but also contributed to the business that supports many other people as well. My presence at a funeral or during a divorce offered support exactly when it was needed. I list moments of generosity and victories over my own limitations.

Am I going to find only times I saved people from despair and ruin? Of course not. I’m not a character in a movie. I see plenty of times when taking care of myself obscured my concern for others. In fact, when I was younger, I rarely thought about my impact on other people.

Seeing less than perfect actions in the past seems like it should upset me, but instead it has turned out to be exhilarating. By looking squarely at the way my life played out, I understand more about who I am, and how my story interacts with the world. Instead of feeling worse about my life, I see those events as part of a dynamic force. I grew, I tried things, made mistakes, learned from them, and kept going. The story with all its ups and downs had a continuity that carried me through the years.

Telling about the past at first seems like a simple act of remembering. But then out of the story emerge lessons that help me make the most of my actions today, so I can move in a worthwhile direction, and do things that make a difference tomorrow. In the movie, the angel didn’t say much. He just showed Stewart how the story works. Based on those observations Stewart drew his own conclusions. As I write, I go through the same process he did, and I’m drawing the same conclusion, too. It turns out it really is a wonderful life.

Write your memoir when you get a Round Tuit

Friday, August 3rd, 2007

By Jerry Waxler

The first time I heard about a Round Tuit was in the early seventies. I was working at my first real job after college, at United Engineers in Philadelphia. As I tried to understand how to cope with the working life, the old timers generously dispensed their wisdom in the form of witty expressions, like “Nolo Bastardo Carborundum.” (Don’t let the bastards wear you down). The first time I saw the word “TUIT” on a round pin, and someone explained what it was, I thought it was the funniest thing I ever heard.

It turns out, like so much of the humor of an office environment, there is pain behind the joke. Many things we want to do must wait until we get around to it. And those are quite often valuable activities that can contribute to the quality of our lives. One such project is writing my memoir. Writing the stories of my life would let me gather my memories, organize them, and share them with others. But who has time?

Perhaps if someone handed me one of those “round tuits” I’d be ready. But if no one hands me one, how can I create my own? Recognizing the life altering power of “round tuits,” I made it a personal challenge to find strategies that would help me convert desire into action. Some of my favorite ideas came from Stephen Covey’s “Seven Habits of Highly Effective People,” a book so insightful I give it credit for changing my life. And Tony Robbins’ “Awaken the Giant Within” is so full of useful information it’s like going to graduate school for self improvement. In fact, I did go to graduate school, for a Master’s degree in counseling, and while I was learning to help others, I continued to learn strategies which I summarize in my website Mental Health Survival Guide.

From all this material, I applied my thinking to aspiring writers who try to get themselves through all those nasty obstacles like, “I don’t have time” or “No one is going to like this” or “I’m not a writer.” I offered workshops to help writers write, and then condensing it all I wrote a book, Four Elements for Writers. So let’s just say I have a few thoughts on this issue.

After all my years of searching, it boils down to the most basic of human equations. If it’s what you want, work for it. Push through as many obstacles as possible. And when you reach obstacles you can’t get through, find help. Look for advice about how to move boulders, go around them, break them down to accessible size, or gain the strength and skill to leap over them.

This simple equation is demonstrated for us over and over in the classic story structure we’ve been hearing since childhood. In stories, someone wants something. They set out to achieve it. It’s a long journey. They encounter obstacles. They find allies. They overcome previous assumptions. They get smacked around. And they keep going. By the end of the story they have gotten around to it. It wasn’t necessarily easy. In fact, in the stories we enjoy most, the obstacles were formidable. But that’s okay. The wounds our heroes receive on this journey are kind of romantic. They often even gain wisdom along the way.

To achieve your goals, apply this story structure to your own life. You want to write. You overcome obstacles. Gather allies. The journey is not necessarily easy, but that’s okay. You have a story to live. Like every other thing you have accomplished in your life, grab a Round Tuit from the pile, or make your own, solve the problems, and write.

Cut through 14 reasons not to write your memoir

Monday, July 30th, 2007

by Jerry Waxler

Reasons not to write memoirs sprout like weeds, and just when I think I’ve seen them all, I see a new one. One by one they drain the energy from the rewarding activity of finding your story. By uprooting these reasons your imagination will produce a better crop of interesting memories and fascinating insights into your life. In fact, once you get started growing your memoir, most of the objections will be overshadowed and wither on their own. However, if you’re not writing yet, and are still looking for ways to get past your reasons not to, here is a list of common ones and suggestions for turning them under so you can get started.

I want to live more in the moment.
With deeper understanding of burdens from the past, you can let them go, and be more in the present.

The past hurts.
You can ease the pain by telling about it, and revel in moments of joy you have forgotten.

If I tell the past incorrectly I’ll be a liar.

Absolute truth sounds good in theory, but it doesn’t exist. Your best chance for “truth” is to tell stories. Stories contain a sort of truth of their own that is more revealing than facts.

I can’t remember those times, so how can I write about them?
By writing, you will remember far more than you do now.

I’m not a writer.
By writing, you become a writer.

I’m too old.
You’re never too old to remember and share your life.

I’m too young.
You’re never too young to remember and share your life.

Nothing worthwhile has ever happened to me.
By delving into the story, you will discover unique and interesting things about yourself.

What if people are offended, angry, disappointed?
If you let them stop you from writing, there is also a decent chance you are letting them stop you from living. By telling the story, you can work on a healthier response to their demands on you.

What if I expose my flaws and weaknesses?

You don’t need to if you don’t want to. And when you see them on paper, you might realize they aren’t so bad. They might show other people a more believable and accessible version of yourself, and they’ll end up liking you more, not less.

It’s narcissistic.
Whether we like it or not, we’re inside our own head all the time anyway. Writing about what goes on in there can break the isolation and increase sharing and mutual respect with other people.

If I con myself into believing an inaccurate story, I’ll become a less authentic person.

You might already be conning yourself, and writing about your life could turn you into a more authentic person.

People might not like it.
Some people won’t like it. Some people will. Stick with the ones who do.

I don’t have time.
This is so big I wrote a whole blog entry about it. In fact, I wrote a whole book about it. If time is your enemy, overcome it with strategy, tools, insights, desire. This is your life. Fit into it what you want.