Archive for the ‘Madison Wisconsin’ Category

Read banned memoirs: Criminal or Social Activist?

Thursday, March 19th, 2009

by Jerry Waxler

In the 60’s, I vigorously protested the Vietnam War, but like most Americans I thought the organization called the Weather Underground had gone too far. Without knowing many details, I associated them with violent, irrational extremism.

So I was surprised to hear that one of the founders of that organization was not only a free man. He was an acclaimed educator. I first heard about Bill Ayers during the 2008 presidential campaign when television ads implied that Ayers’ criticism of U.S. policy in Vietnam somehow tainted Barack Obama. The publicity intrigued me. I wanted to know more. After hearing an excellent radio interview with Bill Ayers, I decided to read his memoir “Fugitive Days.” Reading the book prodded me to review rusty old parts of my own beliefs.

When Ayers was a young man, his outrage against the war drove him to the brink of anarchy. In his memoir, “Fugitive Days,” he chronicles his violent thoughts and actions in almost poetic detail. Even after reading the memoir, it’s hard for me to decide if he was a hero who risked his life to save the world from the insanity of war, or a mad child, a criminal, bent on imposing his will on society. And therein lays the power of the memoir. It shows his world as it was, not as it ought to have been, allowing me to see for myself and ask my own questions. The description of life through his eyes provided a deeper understanding of the world than I could gain from sound bites and stereotypes.

Are young people idealistic or simple minded?

When I was young, adults taught me that people are supposed to be kind, generous, and empathetic. I desperately wanted to live in a world driven by these ideals. Too often, the difference between the world they preached and the one they actually offered made me angry. So I protested, trying to badger them into following their own principles. However, demanding change turned out to be far more complex than I first had hoped. After I participated in my first riot, I realized I was contributing to the very chaos that I wanted to stop.

The protest movement became increasingly strident at my alma mater, University of Wisconsin in Madison, until a climax in the1970 bombing of the Army Math Research Center. At 3 AM, when the bombers expected the building to be empty, a young physics researcher unrelated to the Army or the war was killed by the blast, exposing the dark side of extreme protest. More disturbing still, moral outrage against government policies can be used to justify all sorts of violent protest. For example, the Oklahoma City bombers claimed they were obeying higher principles, a justification that comes all too close to the reasoning of the Weather Underground.

According to Ayers, his group never took part in an action that resulted in a death, so the book does not justify murder. In fact, the book does very little justifying at all. Rather than analyzing his actions, or even looking back at them with the hindsight of an older man, Ayers offers an immersion experience in that period. Just as you wouldn’t expect to see cell phones in a movie about the Vietnam War, Ayers also tries to keep his thoughts appropriate for a young man during the height of the Vietnam war protests.

Feminism was still in the future

In Bill Ayers’ time the feminist movement had not yet been born, so during his story, men were freely using women and justifying it with all sorts of theoretical excuses. Women were starting to complain, and in a rare nod to the future development of the feminist movement, Ayers hints at the tensions coming to the surface.

Structure is interesting: In Medias Res
The organizational structure of the book is interesting. The opening scene pulls me in with a bang. Ayers and his cronies are on the run, and they hear about the death of a comrade, letting me know they are all in mortal danger. This technique of “in medias res,” or starting in the midst of the action, is as old as storytelling itself. Once the initial scene pulls us in, he backs up and starts from the beginning. Then gradually the story moves closer to the tragedy, and then keeps going, to his fugitive life, and on to completion.

Is shame supposed to be hidden?

In the memoir, “This Boy’s Life” Tobias Wolff writes about some really bad decisions from his youth, like throwing eggs at the driver of a convertible car and stealing stuff from his step-dad. He does not apologize or justify. He simply describes. When I first read “This Boy’s Life,” I was shocked that he would be willing to talk about these obnoxious behaviors. How does that work? I hated remembering when I did shameful things like shoplifting. Uck. It feels horrible to admit that I ever did such a thing. Similarly Ayers reports many behaviors that one would hope one’s teenage son or daughter is not doing. However, now that I have been reading memoirs for a while, I am no longer so shocked.

My more tolerant and expansive understanding of how to remember bad choices came during a lecture by John Bradshaw, the brilliant author of a number of books about healing. In the lecture, Bradshaw explained that there are two kinds of shame. Of course I knew about “bad shame.” The new information came from his description of “good shame,” a beautiful and redeeming concept I had never considered.  Good shame serves a positive purpose. When you’re ashamed of something you’ve done, it’s your mind attempting to restore you to obey your own rules. So shame is a good thing, enforcing people to do their best. When people are “shameless” they can be rude or deceive each other without remorse. The absence of shame is the real anti-social condition.

Actually, not only is Ayers not ashamed of his actions. He even flips it upside down, and points a sense of shame back at the rest of society. He doesn’t feel shame for having protested the war. He feels shame for having participated in a country that was waging the war, and for example, dropping Napalm on babies. Wow! That fascinating twist makes me think long and hard about my own role as a citizen in a country that does a variety of things I wish they would do differently.

On every page, Ayers awakened memories of my own angst in the sixties. His experience stretched me to review my attitude towards social responsibility, and then, as I followed his trajectory, watched the terrifying consequences of his extreme position. It was an amazingly thought provoking and successful book.

 
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Link isolated anecdotes into a story with the power of your beliefs

Wednesday, January 14th, 2009

By Jerry Waxler

A memoir starts with a single anecdote. Then another, and another. In our imagination, we know these events formed our life. But other people can’t read our imagination. They can only read what’s on the page. We must transform the anecdotes into a compelling story. The memoir writer’s job is to discover the binding that will bring the reader from one event to the next. One place to look for this continuity is in your beliefs. Beliefs are important. They influence our decisions and shape our mood and emotion. And yet few writing classes explore the impact of ideas and beliefs.

To see how ideas can influence a life, see my essay about the beliefs that changed Henry Louis Gates’ attitude towards girls. In today’s essay, I explore this strategy further by looking within a series of my own anecdotes for the underlying beliefs that could help pull them together into a story.

High School Trolley

My own school, Central High in Philadelphia, drew academically inclined boys from all over the city, so at the end of the day each of us went off in different directions. Sitting by myself on the trolley car I rode home every day, a pack of boys piled in from a nearby Catholic High School. They all knew each other and they shouted and laughed far more boisterously than the studious kids I knew. Even though they never bullied me, nor did they seem to be bullying each other, I kept very still. When I reached my stop, I nonchalantly pulled the cord to signal the driver, and squeezed my way to the door. It slapped open and I stepped down, safe again on a quiet street in familiar territory.

Brainstorm underlying ideas
I look more closely at my thoughts and feelings in this scene. What can I learn about my trust in people, my fragile pride, my ethnic identity, and the way a city kid could feel vulnerable in a crowd, hoping to remain invisible.

Freshman year debate
In Freshman year, I was a thousand miles from home, living in a high-rise dormitory at the University of Wisconsin in Madison, a sprawling campus with thirty thousand students. Some upper classmen were visiting the dorm to debate the U.S. action in Vietnam, while the mainly freshman residents crowded in to the meeting room to listen. “The U.S. government is using Vietnam as an excuse to test its weapons. We shouldn’t be there.” “Oh, yeah? You’re a fool. If we don’t stop communism in Vietnam, it will spread and take over the world.”

I tried to find my own truth amidst their battle of ideas. I could barely keep up. How did these people know so much? And why were they filled with so much intensity? What did it all mean?

Sophomore Year
At the end of my freshman year, I went home to a quiet summer in Philadelphia, working as an assistant in a medical research lab, and working in my dad’s drugstore on weekends. In the fall, I returned to Madison. Amidst the hordes walking to and from class, I saw Kathy Bridgman, one of the only girls I had dated the previous year. The date didn’t go well. I had become so nervous I had to cut it short, and never went out with her again. Now, our eyes met, we smiled tentatively, and kept walking.

Walking with the crowd, I felt a  little lonely. Seeing Kathy tipped me off balance, reminding me of my social incompetence. How would I survive three more years?

Junior Year
A year later, in the fall of 1967, my hair in a frizzy mop, and sporting bushy sideburns, I approached a group of students who were gathering to block a classroom. By now, I had decided to join the protestors. Together we would alter the course of history. I crowded into a hallway of the Commerce Building, packed tightly, arms locked together. After we had been there for a while, police broke out the plate glass entry-way, stormed in and swung their clubs with force. Many students went to the hospital, including the girl who stood next to me. She needed emergency surgery for a ruptured uterus. The violence I had witnessed disturbed me. I had started out full of hope and ended more confused than ever.

What ideas drove me to protest? What other ideas drove the police to fight back with such violence? What happened to me, as my ideas shattered along with the day’s events?

Senior Year
For most of my senior year, I stayed alone in my apartment. Depressed, I skipped as many classes as possible. I was falling off the edge of my ambition, and collapsing into myself.

Search for the ideas
As these scenes first occurred to me, they seemed isolated. Now, by looking for ideas, I recognize the way crowds worked in my mind. I had always been fascinated by mobs in history. Now I could see that my academic curiosity was really about me. I was constantly looking for the balance between my desire to be inside a crowd, and my desire to be completely alone.

My Coming of Age was beset by this tension. In high school, I started out as a nerd, very much alone. Then at the university, I jumped in to crowds, deeper and deeper, until I felt stripped of my sense of individuality. I lost my momentum and collapsed back into myself. Now, to collect the events and find a conclusion, I need to show how a more balanced understanding of groups redeemed me, filled me, and brought me back to life.

These anecdotes have not yet formed a story, but now I see the thoughts that link one to the next, providing the seeds of an emotionally authentic and hopefully powerful tale, transforming isolated bits of memory into a story that will hold a reader’s attention from beginning to end.

Writing Prompt
Look at some of the anecdotes in your notebook. See if you can tease out the ideas that added power to each scene and linked it to the next. What additional background about ideas will offer the reader a greater understanding of your emotions and decisions?

Awakening bad memories helps shape your new life

Saturday, September 6th, 2008

by Jerry Waxler

One night in the summer of 1968, I walked along a busy street in Madison Wisconsin with my friend Ely, a soft-spoken math graduate student, and his girl friend Joan. We were enjoying the cool evening breeze, in a college town relatively quiet during the summer holiday. Then we heard shouting. I turned around and saw five boys rushing towards us. I shouted at them to stay away, and the ringleader tackled me and threw me down. Then the others swarmed around me and kicked. Ely asked them to stop. A boy punched him in the mouth and split his lip.

Joan screamed, and passing cars honked. Then a getaway car pulled up and the boys drove off. The intern at the hospital expressed no interest in how violated I felt. Reluctant to order an X-ray, he brushed off my headache. “Of course it hurts,” he said. “You were kicked in the head.” It turned out, he was right. I had no serious physical injury. By now almost dawn, two policemen took me back to look for my contact lens. When I was a protester, I hated the police, but now, these two men were shining their flashlights, bending down and looking for the tiny piece of plastic that enabled me to see. I felt an unexpected flush of gratitude.

Joan had written the license number, and with the help of a hippie lawyer we found that the ringleader was the son of the police chief of a small town 50 miles away. The lawyer and I split the settlement of $75.00. The rest of the summer I slunk around, racing into shadows when cars approached. In the fall, surrounded by thousands of returning students, I felt safe enough, and I let the incident slip into the past. After a few months I forgot it entirely.

Thirty three years later, in 2001, I was traumatized along with hundreds of millions of others by airplanes crashing into the World Trade Center. I wanted to help in some way so I took a workshop to qualify as a helper in community traumas. To learn how to conduct a group discussion, we were asked to talk about something that had happened to us. As I prepared, I unearthed my memory of being beaten.

Until that time, I had never thought in detail about the scene. Now as I tried to explain it, I saw it more clearly, describing who was there, what happened next, and so on. The event seemed important, so I tried to go deeper by writing about it. As it took shape on paper, it gradually changed from a vague, disturbing set of memories into a story.

With the Vietnam War raging, my attention was diverted from typical college concerns. All I could think about was the war. I didn’t think it was justified or fair, so I protested. I wanted to protect myself, the Vietnamese people, and the boys who were getting sent into danger. I thought my goals were noble, so why would anyone attack me?

To tell a more complete story, I tried to picture one of the high school boys in his home, eating dinner with his dad, who was probably a veteran of World War II. Dad was praising the soldiers who were out with machine guns and artillery hunting down the enemy. This was how Americans defend their freedom. Dad expressed his fear that if protesters stopped the war, it could unleash chaos, and threaten their way of life. The protesters must be stopped. So his sons protest the protesters by beating up someone with long hair. They were upholding the values of their family and country.  Under the circumstances, their actions were the most honorable thing they could have done.

Now, these many years later, I know a lot more about war trauma than I did back then. I imagine that one of those boys had an older brother serving in Vietnam. Instead of being kicked, he was getting shot at and watching his companions blown to pieces before his eyes. If he lived, he would for years continue to be assaulted by memories that repeatedly tear him apart. Flashbacks are the other way humans deal with trauma.

While flashbacks sound like the opposite of forgetting, these two reactions have one thing in common. They both leave you powerless to think clearly about the original experience and so the events remain stuck in their original shape. Only later, after you start trying to communicate, can you slow down and put things together.

Writing the memories gives me new power over them
I never understood the way the mugging influenced the following years. I always thought my profound depression was caused by some generalized angst. I didn’t make the connection with the trauma because I had forgotten it. I had not made the connection between being attacked and my loss of interest in protesting. I just thought my disengagement from the protests was because the whole thing was too emotionally exhausting. Now I see that beating was intended to stop me from protesting, and I got the message. My body wounds healed, but that part of me that wanted to share my opinions never did.

Writing the story reveals another powerful truth about that night in 1968. It was just one moment in time. Storytelling drags and pushes me to the next day and the next, until eventually I find myself on more stable ground. I find myself more whole.

How can writing help me grow?
As my storytelling reveals that night as one night in my six decades of life, I consider my decision to stop expressing my opinion. Must I for the rest of my life please everyone for fear they won’t like me and beat me up? If I am true to myself, I inevitably will displease some people. Everyone is different and unique. Now, instead of being limited by the decisions of a scared young man, I am working on a more public approach to my opinions that allow me a more vibrant relationship to the world. Diving into painful memories has helped me grow towards expressing my greater potential as an individual unique, human being.

Writing Prompt
Write a story about a time when you felt wronged. After you write it from your point of view, write another story about that experience from the other person’s point of view, seeing the way they justified their action initially, and the way they justified or forgave themselves afterwards.

Writing Prompt
In an experience you had that seemed traumatic, write a story in which that experience was the beginning, and then proceed from there. Look for a way to resolve the dramatic tension by reaching stable ground, or coming to terms with the trauma, or find some new direction or lesson that resulted in a positive ending.

Note
For another essay I wrote about PTSD and the horrors of war, click here.

To listen to the podcast version click the player control below:

 
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Hair in the melting pot

Tuesday, June 10th, 2008

by Jerry Waxler

(You can listen to the podcast version by clicking the player control at the bottom of this post or download it from iTunes.)

During the cultural rebellion of the sixties, like many white kids, I tried to reach across the racial divide by emulating black slang and embracing soul music. My dark brown hair grew longer, and by the time I got home from the University of Wisconsin that first summer of 1966 it had curled into a tangle that looked vaguely like an Afro. My great-uncle Ben, with whom I had always got along, said “I didn’t know we had anything like that in the family.” We never spoke civilly to each other again. In Madison, Wisconsin the following year, some boys drove to campus to beat up kids who looked like me. They jumped out of their car, threw me to the ground and kicked me for a while to let me know that long hair was against the American way.

A memoir by Henry Louis Gates called “Colored People” made me think more about that incident. After all, this is the Melting Pot. We’re supposed to be able to absorb all kinds of people — the northern Europeans with their blond hair, Irish with their red hair, Mediterraneans, with their jet black hair. My own ancestors, eastern European Jews, inherited dark curly hair from our Semitic ancestors. Blending hasn’t always been easy. As each group arrived, a cry went throughout the land “We alreday know who we are and you are not us.” After a couple of generations, the children lost their accents and adopted clothes and customs that helped us blend. We intermarried. Voila. We’re in the mix.

But the resistance to blacks has persisted longer than for most other groups. I’ve thought about the reasons and the problems of that lack of mixture my whole life, but I’ve never thought about it as clearly as I did when I read Gates’ memoir, in which he explains what it was like growing up in the segregated south. As I listen to Gates, the magic of story reading takes over and I’m with him in the 1950’s and 60’s. At home he saw people of one color, and on television he saw another. As he ponders this contrast, and tries to sort out his place in the mix, one of the most revealing insights is the chapter on hair.

As a child, Gates’ barber complimented him on having a “good grade” of hair, meaning it wasn’t too curly. His good grade came with his genes, while others had to work for the desired straightness by greasing hair down and flattening it with a tight stocking cap. They ironed their hair. They used home chemical concoctions of potatoes and lye to defeat the curls. Or they spent big money on a chemical procedure call “processing.”

Through Gates’ story, I begin to see that hair has deep significance, and the more I think about how it fits into our emotional lives, the more of its power I see. Absence of hair is important to men who lose it at middle age, and chemotherapy patients who lose it as one of the demoralizing aspects of their illness. Prison camp inmates and new military recruits often have their hair shaved to reduce their individuality. Older people hide their gray to look young, while young people enhance sexual charisma by primping, extending, dying, or spiking.

So I shouldn’t be surprised that black people, to improve their image, would like to manage the impression their hair conveys. Working in my dad’s drugstore in the early 60’s I often saw black guys wearing these tight caps, or “do rags” as they were called. And my dad stocked a whole section of specialized hair products. Looking at it from the outside it seemed mysterious. Now I see they were trying to do the same thing Americans had been doing for centuries, trying to achieve entry into the Melting Pot, so they could participate in the American dream.

Hair defines the group a person is in. That simple, yet profound observation sends me searching. Surely something so important must insinuate itself in other aspects of my life. As I look for more evidence of the importance of hair I spot another crucial period.

Before I turned forty, my prematurely gray hair made me look like an old guy, an outsider among the young people I walked past every day at the university where I worked. I decided to dye it back to its original color, to reclaim my membership in the younger generation. The first time I went to visit my friends Larry and Ivy for lunch, their eyes opened wide. “It’s like instant youth.” My membership restored, I have been dying my hair ever since, despite research that suggested prolonged hair dying might cause a deadly form of cancer. When I was knocked down and kicked because my hair was too long, it never occurred to me to cut it. Now, I am once again placing my acceptance into a group above my own safety. With my dark hair, I’ll signal my membership in the youthful American Melting pot, even if it kills me.

Writing Prompt
Write a story about times in your life when you liked your hair, or didn’t like your hair. What message was your hair broadcasting?

When have you changed your hair to try to redefine or accentuate your acceptance into a group?

When has some one else’s hair sent you a message you had a hard time accepting?

Have you ever had the experience of being an outsider because of your hair, like the time I came home with long hair and was outside my family’s comfort zone, or like the way my friend’s blond daughter provoked cat calls in Egypt, where she stuck out like a… blond in Egypt.

To listen to the podcast version click the player control below:

 
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Beatles and other loaded words in your memoir

Monday, July 2nd, 2007

 by Jerry Waxler

“Beatles.” This word contains the memories of a generation. Who among us has not seen videos of them waving as they disembarked from the plane on their first American tour? As they’re playing “I Want to Hold Your Hand” on the Ed Sullivan show, the camera pans to the girl screaming so hard she has to hold onto her face with both hands so her head won’t explode. Since such scenes were part of your life, you might want to tell about them. But to a listener these culturally loaded words sound like clichés. Events that happened to you also happened to hundreds of millions of others. We’ve heard and seen these images until we are weary of them.

If you tell a story with loaded words, people will hear what they already know, rather than learning about you. The loaded words will wash out the individual meaning from your story. So how do you write about the past, without falling into this trap? Use the storyteller’s advice. Slow down, set up the scene, and tell the reader how they affected you in particular.

So how could I unpack the meaning of the word Beatles and turn it into a unique image in my own life? I can see myself standing at the record store in Madison, Wisconsin, where I stopped on my way home every day from class, to stare at the rack of new releases. My mind was blazing with an almost supernatural desire, as if each album might release a Genii that would grant my every dream. But describing a boy standing at a record rack doesn’t give the reader much to go on. To share my unique feelings, I have to set up a scene in a way that you’ll be able to relate to.

Here’s a piece of advice on this topic by author and writing teacher Philip Gerard, from his book “Writing a book that makes a difference.” He says, “The key is always to include your reader in the process by which you arrive at your position. Instead of demanding that the reader experience anger or love simply because you say so, create for your reader the same experience that led to your reaction.”

So I try to remember a scene that would help me show my relationship to music in the sixties and I remembered the summer when the Revolver album was released. At the beginning of my sophomore year, I wanted to get back to campus early. When I returned in mid-August, all the summer classes were over, and even the faculty and staff were away on vacation. Madison, Wisconsin was essentially a ghost town. I didn’t have anywhere to live yet, but an acquaintance was out of town and told me I could crash at her place.

I walked in to the apartment building, musty from years of student tenants, and set down my belongings. My stuff was stored in another friend’s basement so all I had with me was a suitcase and the Revolver, which I had picked up from the record store on my way in to town. As soon as I sat down, I took out the album, turning it over and searching the graphics, the liner notes, and even the names of the production staff as if they might reveal some secret.

Ripping off the flimsy cellophane, I pulled the record envelope out, and then grabbed the record by the edges between my open palms to avoid letting any finger oil smudge the surface. Positioning the record over the turntable, I dropped it gently, feeling the anticipation not only that this would be the first time I listened to it, but also disappointment that this would be the last time I would ever listen to it for the first time. This troubled me because records lose 40% of their quality after the first playing, wearing down the little plastic ridges that jiggle the needle to create the sound.

In rapt attention, I turned towards the speakers and listened. And as I entered each new song, I felt a wave of excitement. Somehow the Beatles had broken with their genre over and over, as if they were inventing a new style of rock and roll in each song. I was especially smitten by the haunting violin accompaniment like cries of sadness, wails really, on “Eleanor Rigby.” I wondered who she was, and why I felt so drawn to her.

That afternoon, I left the apartment to buy food, and I saw a girl walking my way. A person! As she came nearer, I smiled. The smile of a stranger always made me feel okay, like the world was safer and more fun. So I smiled at this stranger, and she kept walking past me, as if she didn’t see me. Despite the long, cruel winters, Madison in August is blazingly hot and muggy. I looked around at the apartments that would in a few weeks be teeming with kids living in every possible space. The houses had not been painted recently nor were the gardens groomed. It was a student neighborhood, run by landlords we never saw, and kids who were just passing through. And now they were empty. I wondered where my home was. Certainly not Pennsylvania. I was no longer a child, and it was time to get away from there. And I didn’t feel at home here either, where there were no other students, and the only person I saw didn’t even smile at me.

The one thing I did have, the one element in my life that made me feel connected at that moment was the Beatles. Their passion for breaking with all the things that were wrong with the world leapt out at me. But rather than providing simple answers, they asked questions, set to music. Not just any music but orchestral music and fresh melodies and rhythms. They poured their creative energy into the album to let me know they shared my sense of urgency. We had entered a pact in which we agreed that our questions were important, were powerful. I closed my eyes, and hummed along with the lyrics, already starting to burn into my memory.

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

I too lamented about life, while those violins tore into my heart. Hearing the lyrics made me feel more peaceful, understood, and one with the world.